Age: 80
male
Earnest Lee Hudson (born December 17, 1945) is an American actor. He is known for his role as Winston Zeddemore in the Ghostbusters franchise. Hudson has also acted in the films Leviathan (1989), The Hand That Rocks the Cradle (1992), The Crow (1994), Airheads (1994), The Basketball Diaries (1995), Congo (1995), Miss Congeniality (2000), and The Ron Clark Story (2006). His most prominent role on television was Warden Leo Glynn on HBO's Oz (1997–2003). Hudson has also appeared in the television shows St. Elsewhere (1984), The Last Precinct (1986), 10-8: Officers on Duty (2003–2004), Desperate Housewives (2006–2007), The Secret Life of the American Teenager (2008–2013), Law & Order (2009–2010), the voice of Agent Bill Fowler in Transformers: Prime (2010–2013), Franklin & Bash (2012–2014), Grace and Frankie (2015–2020), and L.A.'s Finest (2019–2020). From 2022 to 2024, Hudson appeared as Herbert "Magic" Williams on the NBC drama Quantum Leap.
Coonskin is a 1975 American adult animated satirical crime film written and directed by Ralph Bakshi. The film references the Uncle Remus folk tales and satirizes the blaxploitation film genre as well as Disney's racially controversial film Song of the South, also adapted from the Uncle Remus folk tales. The film's narrative concerns three anthropomorphic Uncle Remus characters, Br'er Rabbit (referred to as Brother Rabbit), Br'er Fox (referred to as Preacher Fox), and Br'er Bear (referred to as Brother Bear). They rise to the top of the organized crime racket in Harlem, encountering corrupt law enforcement, con artists, and the Mafia, in a satire of both racism within the Hollywood film system, and America itself. Originally produced under the titles Harlem Nights and Coonskin No More... at Paramount Pictures, Coonskin encountered controversy before its original theatrical release when the Congress of Racial Equality accused the film of being racist. When the film was released, Bryanston gave it limited distribution and it initially received mixed reviews. Later re-released under the titles Bustin' Out and Street Fight, Coonskin has since been re-appraised, recontextualizing the film as the condemnation of racism that the director intended, rather than a product of a racist imagination, as its detractors had claimed.
