
Age: 63
male
Peter A. Ramsey (born December 23, 1962) is an American illustrator, storyboard artist, and filmmaker. He is best known for directing DreamWorks Animation's Rise of the Guardians(2012), becoming the first African American to direct a computer-animated film and the second to direct a major American animated film (Bruce W. Smith was the first African-American director with Paramount Pictures' Bebe's Kids [1992]), and co-directing Sony Pictures Animation's Spider-Man: Into the Spider-Verse (2018). For Spider-Man: Into the Spider-Verse, he became the first African American to be nominated for and win an Academy Award for Best Animated Feature. Description above from the Wikipedia article Peter Ramsey, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Coonskin is a 1975 American adult animated satirical crime film written and directed by Ralph Bakshi. The film references the Uncle Remus folk tales and satirizes the blaxploitation film genre as well as Disney's racially controversial film Song of the South, also adapted from the Uncle Remus folk tales. The film's narrative concerns three anthropomorphic Uncle Remus characters, Br'er Rabbit (referred to as Brother Rabbit), Br'er Fox (referred to as Preacher Fox), and Br'er Bear (referred to as Brother Bear). They rise to the top of the organized crime racket in Harlem, encountering corrupt law enforcement, con artists, and the Mafia, in a satire of both racism within the Hollywood film system, and America itself. Originally produced under the titles Harlem Nights and Coonskin No More... at Paramount Pictures, Coonskin encountered controversy before its original theatrical release when the Congress of Racial Equality accused the film of being racist. When the film was released, Bryanston gave it limited distribution and it initially received mixed reviews. Later re-released under the titles Bustin' Out and Street Fight, Coonskin has since been re-appraised, recontextualizing the film as the condemnation of racism that the director intended, rather than a product of a racist imagination, as its detractors had claimed.



