Age: 65
male
Richard Linklater (/ˈlɪŋkleɪtər/; born July 30, 1960) is an American filmmaker. He is known for making films that deal thematically with suburban culture and the effects of the passage of time. In 2015, Linklater was included on the annual Time 100 list of the most influential people in the world. His films include the comedies Slacker (1990) and Dazed and Confused (1993); the Before trilogy of romance films: Before Sunrise (1995), Before Sunset (2004), and Before Midnight (2013); the music-themed comedy School of Rock (2003); the adult animated films Waking Life (2001), A Scanner Darkly (2006), and Apollo 10½: A Space Age Childhood (2022); the coming-of-age drama Boyhood (2014); the comedy film Everybody Wants Some!! (2016); and the romantic comedy Hit Man (2023). Many of Linklater's films are noted for their loosely structured narratives. The Before trilogy and Boyhood both feature the same actors filmed over an extended period of years. He has received five Academy Award nominations and won the Silver Bear for Best Director for Before Sunrise. He also won a Golden Globe Award for directing Boyhood. Description above from the Wikipedia article Richard Linklater, licensed under CC-BY-SA, full list of contributors on Wikipedia.
It’s early 2020, and legendary producer Jacob Rosenthal is eager to make his next film, Coal, adapted from the bestselling novel by the celebrated writer Rex Patterson. The project—which takes on the controversial topic of race in America—is Jacob’s envisioned magnum opus, and likely his swan song. He selects David Levit to direct, a major opportunity for the classically trained actor/director whose own films, while garnering critical acclaim, have not resulted in box office success. But the announcement of David’s hiring doesn’t sit well with a producer from David’s past, Brad Shlansky, who channels the last remaining vestiges of his creativity into a revenge plot that could very well scupper the making of Coal, and ruin the lives of its producer and director in the process. A sprawling, character-driven depiction of the modern film industry, City of Blows reaches back decades to the formative experiences of each of the novel’s central figures to explore what first motivated them to become involved in the quixotic and often venal world of movie-making. Driven by their diverse backgrounds, each must navigate the same huckstering circus that puts films on screen.
