Age: 67
male
David Owen Russell (born August 20, 1958) is an American film director, screenwriter and producer. He has earned numerous accolades including two British Academy Film Awards, and a Golden Globe Award as well as nominations for five Academy Awards. Russell started his career directing the dark comedy films Spanking the Monkey (1994), Flirting with Disaster (1996), Three Kings (1999), and I Heart Huckabees (2004). He gained critical success with the biographical sports drama The Fighter (2010), the romantic comedy-drama Silver Linings Playbook (2012), and the dark comedy crime film American Hustle (2013). The three films were commercially successful and acclaimed by critics, earning him three Academy Award nominations for Best Director, as well as a Best Adapted Screenplay nomination for Silver Linings Playbook and a Best Original Screenplay nomination for American Hustle. Russell received his seventh Golden Globe nomination for the semi-biographical comedy-drama Joy (2015). He also directed the comedic mystery thriller Amsterdam (2022). Throughout his career, Russell has garnered controversy for being combative and abusive towards crew members and actors in his films. Incidents involving George Clooney, Lily Tomlin, Amy Adams, Christopher Nolan, and Christian Bale have been documented. Description above from the Wikipedia article David O. Russell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
It’s early 2020, and legendary producer Jacob Rosenthal is eager to make his next film, Coal, adapted from the bestselling novel by the celebrated writer Rex Patterson. The project—which takes on the controversial topic of race in America—is Jacob’s envisioned magnum opus, and likely his swan song. He selects David Levit to direct, a major opportunity for the classically trained actor/director whose own films, while garnering critical acclaim, have not resulted in box office success. But the announcement of David’s hiring doesn’t sit well with a producer from David’s past, Brad Shlansky, who channels the last remaining vestiges of his creativity into a revenge plot that could very well scupper the making of Coal, and ruin the lives of its producer and director in the process. A sprawling, character-driven depiction of the modern film industry, City of Blows reaches back decades to the formative experiences of each of the novel’s central figures to explore what first motivated them to become involved in the quixotic and often venal world of movie-making. Driven by their diverse backgrounds, each must navigate the same huckstering circus that puts films on screen.
