Age: 47
female
Katherine Marie Heigl (born November 24, 1978) is an American actress and former fashion model. She is best known for her role as Dr. Izzie Stevens on the ABC television medical drama Grey's Anatomy from 2005 to 2010, a role that brought her recognition and accolades, including the Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series in 2007. She started her career as a child model with Wilhelmina Models before turning her attention to acting, making her film debut in That Night (1992) and later appearing in My Father the Hero (1994) as well as Under Siege 2: Dark Territory (1995). Heigl then landed the role of Isabel Evans on The WB television series Roswell (1999–2002), for which she received nominations for Saturn and Teen Choice Awards. She then starred in commercially successful romantic comedy films such as Knocked Up (2007), 27 Dresses (2008), The Ugly Truth (2009), Killers (2010), Life As We Know It (2010) and New Year's Eve (2011). She also appeared in Zyzzyx Road (2006), The Big Wedding (2013), and Unforgettable (2017). Heigl has also starred in several films that have seen limited releases, including Jackie & Ryan (2014), Home Sweet Hell (2015), and Jenny's Wedding (2015). She is also executive producer on her leading television roles, which include the short-lived NBC television series State of Affairs from 2014 to 2015, the Netflix series Firefly Lane (2021–present) and the upcoming limited series Woodhull. She has also lent her voice to the animated film The Nut Job (2014) and its 2017 sequel. Heigl also had a main role in the final two seasons of the USA Network series Suits (2018–2019).
Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
