Age: 28
female
Mary Elle Fanning (born April 9, 1998) is an American actress. As a child, she made her film debut as the younger version of her sister Dakota Fanning's character in the drama film I Am Sam (2001). She appeared in several other films as a child actress, including Daddy Day Care (2003), Babel (2006), The Curious Case of Benjamin Button and Phoebe in Wonderland (both 2008), and the miniseries The Lost Room (2006). She then had leading roles in Sofia Coppola's drama Somewhere (2010) and J. J. Abrams' science fiction film Super 8 (2011). Fanning played Princess Aurora in the fantasy films Maleficent (2014) and Maleficent: Mistress of Evil (2019) while working in independent films such as Sally Potter's Ginger & Rosa (2012), Nicolas Winding Refn's The Neon Demon (2016), Mike Mills' 20th Century Women (2016), and Coppola's The Beguiled (2017). From 2020 to 2023, she starred as Catherine the Great in the Hulu period satire series The Great, for which she received nominations for a Primetime Emmy Award and two Golden Globe Awards. She has since portrayed Michelle Carter in the Hulu limited series The Girl from Plainville (2022), made her Broadway debut in the play Appropriate (2023), and played a character based on Suze Rotolo in the biographical drama A Complete Unknown (2024). Description above from the Wikipedia article Elle Fanning, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
