Age: 47
female
Rachel Anne McAdams (born November 17, 1978) is a Canadian actress. After graduating from a theatre degree program at York University in 2001, she worked in Canadian television and film productions, such as the drama film Perfect Pie (2002), for which she received a Genie Award nomination, the comedy film My Name Is Tanino (2002), and the comedy series Slings & Arrows (2003–2005), for which she won a Gemini Award. In 2002, she made her Hollywood film debut in the comedy The Hot Chick. She rose to fame in 2004 with the comedy Mean Girls and the romantic drama The Notebook. In 2005, she starred in the romantic comedy Wedding Crashers, the psychological thriller Red Eye, and the comedy-drama The Family Stone. She was hailed by the media as Hollywood's new "it girl" and received a BAFTA Award nomination for Best Rising Star. After a hiatus, McAdams gained further prominence starring in the films The Time Traveller's Wife (2009), Sherlock Holmes (2009), Morning Glory (2010), Midnight in Paris (2011), The Vow (2012), and About Time (2013). For her portrayal of journalist Sacha Pfeiffer in the drama Spotlight (2015), she was nominated for the Academy Award for Best Supporting Actress. This was followed by roles in the superhero film Doctor Strange (2016) and its sequel Doctor Strange in the Multiverse of Madness (2022), the romantic drama Disobedience (2017), the comedies Game Night (2018) and Eurovision Song Contest: The Story of Fire Saga (2020), and the comedy-drama Are You There God? It's Me, Margaret. (2023). On television, she starred in the second season of the HBO anthology crime drama series True Detective (2015), earning a Critics' Choice Television Award for Best Actress in a Miniseries or Movie nomination. She made her Broadway debut in the Amy Herzog play Mary Jane (2024), for which she was nominated for a Tony Award. Description above from the Wikipedia article Rachel McAdams, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
