Age: 37
female
Elizabeth Chase Olsen (born February 16, 1989) is an American actress. She gained worldwide recognition for her portrayal of Wanda Maximoff / The Scarlet Witch in the Marvel Cinematic Universe since 2014, with her performance in the miniseries WandaVision (2021) earning her nominations for a Primetime Emmy Award, a Golden Globe Award, and a Critics’ Choice Television Award. Born in Sherman Oaks, California, Olsen began acting at age four alongside her sisters Mary-Kate and Ashley Olsen. She had her debut film role in the thriller Martha Marcy May Marlene in 2011, for which she received praise. Olsen received a BAFTA Rising Star Award nomination and graduated from New York University two years later. Outside of her work with Marvel, Olsen starred in the monster film Godzilla (2014), the mystery film Wind River (2017), the dramas Ingrid Goes West (2017) and His Three Daughters (2024), the science fiction thriller The Assessment (2025), and the romantic comedy Eternity (2025). She also starred as a widow in the drama series Sorry for Your Loss (2018–2019) and as Candy Montgomery in the miniseries Love & Death (2023), the latter earning her another Golden Globe Award nomination.
Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
