
Age: 41
female
JoIssa Rae Diop (born January 12, 1985), known professionally as Issa Rae, is an American actress, writer, and producer. She achieved recognition as the co-creator, co-writer, and star of the HBO comedy series Insecure (2016–2021), for which she was nominated for multiple Golden Globes Awards and Primetime Emmy Awards. Rae first garnered attention for her work on the YouTube web series Awkward Black Girl (2011–2013). Her 2015 memoir, The Misadventures of Awkward Black Girl, became a New York Times bestseller. In 2020, Rae formed the production company Hoorae Media. Rae has also appeared in films, with roles in the drama The Hate U Give (2018), the fantasy comedy Little (2019), the romance The Photograph (2020), the romantic comedy The Lovebirds (2020), the comedy thriller Vengeance(2022), and the comedies Barbie and American Fiction (both 2023). She also had a voice role in the short film Hair Love (2019) and voiced Jess Drew / Spider-Woman in Spider-Man: Across the Spider-Verse (2023). In 2018 and 2022, Rae was included in the annual Time 100 list of the most influential people in the world and in 2014 in the Forbes '30 Under 30' list in the entertainment section. She was recognized with the Peabody Trailblazer Award and the Producers Guild of America Visionary Award. Description above from the Wikipedia article Issa Rae, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.






