Age: 39
female
Emmanuelle Grey Rossum (born September 12, 1986) is an American actress, director, and singer. She is known for her portrayal of Fiona Gallagher in the television series Shameless (2011–2019). Since the mid-2010s, she has also directed and produced television, including the 2022 Peacock series Angelyne in which she also stars. Born and raised in New York City, she began professionally performing as a child with the Metropolitan Opera. Early on-screen roles included Genius (1999), Songcatcher (2000), Passionada (2002), and Nola (2003). At sixteen, she was cast in her breakthrough role in Mystic River (2003). Rossum starred in the 2004 sci-fi film The Day After Tomorrow, and also received critical acclaim for her performance in the leading role of Christine Daaé in the film adaptation of The Phantom of the Opera (2004). She is also well known for acting in the films Poseidon (2006), Dragonball: Evolution (2009), Inside (2011), Beautiful Creatures (2013), Comet (2014), You're Not You (2014), and Cold Pursuit (2019).
Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
