Age: 31
female
Zoey Francis Chaya Thompson Deutch (born November 10, 1994) is an American actress. She is daughter of director Howard Deutch and actress-director Lea Thompson. She gained recognition for her roles in the film Everybody Wants Some!!, the Netflix comedy series The Politician, and the film Set It Up. Deutch began her career with roles on the Disney Channel comedy series The Suite Life on Deck (2010–2011) and The CW crime drama series Ringer (2011–2012). Following her credited film debut in the gothic romance film Beautiful Creatures (2013), she starred in the fantasy horror film Vampire Academy (2014), for which she received a Teen Choice Award nomination. Deutch achieved critical praise for her roles in numerous films, including Richard Linklater's Everybody Wants Some!! (2016), Why Him? (2016), Before I Fall (2017), Flower (2017), and Rebel in the Rye (2017), for which she has received awards from the Dallas International Film Festival and the SCAD Savannah Film Festival. In 2017, her mother directed her and her sister Madelyn in the comedy-drama film The Year of Spectacular Men, which Deutch also co-produced. She went on to star in the critically acclaimed romantic comedy Set It Up (2018), the zombie comedy Zombieland: Double Tap (2019), and the comedy-drama Buffaloed (2019), which she also produced.
Zoey Deutch
Billie Jean King
for Billie Jean King in Battle of the Sexes: Legends of tennis
Suggested by jakubduda
In 1973, tennis becomes a cultural battleground. Former champion and provocateur Bobby Riggs claims that even past his prime, a man can defeat the world’s best women. When he beats Margaret Court, the victory is seized upon as proof, igniting a national debate far beyond sport. The response comes from Billie Jean King. Under immense public pressure, King accepts Riggs’s challenge in a nationally televised match watched by millions. Her victory is celebrated as a final verdict, not just in tennis, but in culture itself. Yet the question does not disappear. In 1975, California hosts the Challenge of the Sexes, where Virginia Wade faces Björn Borg and Evonne Goolagong Cawley plays Ilie Năstase. These quieter, highly competitive exhibitions complicate the narrative, shows that outcomes are shaped by surface, style, context as much as gender. As the sport evolves, so does the debate. In the 1980s, Martina Navratilova emerges as the defining figure of her era. In a mixed-doubles exhibition, Navratilova and Pam Shriver defeat Vitas Gerulaitis and an aging Riggs, underscoring how rules and format redefine fairness. 19 years after the original, the battle returns one last time. In 1992, outside Caesars Palace in Vegas, Battle of Champions pits Jimmy Connors against Navratilova. Promoters call it war, Navratilova a battle of egos. Amid rumors, bravado, and history’s weight, Connors wins in straight sets. Battle is not an about proving who is better and equality does not mean sameness
