Age: 60
male
Kyle Martin Chandler (born September 17, 1965) is an American actor. He received critical acclaim for his performance as Eric Taylor in the NBC series Friday Night Lights(2006–2011), winning the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series in 2011. Making his screen acting debut in the 1988 television film Quiet Victory: The Charlie Wedemeyer Story, Chandler's first regular television role was in the ABC drama Homefront (1991–1993). This was followed by the lead role of Gary Hobson in the series Early Edition (1996–2000). His well-received guest appearance on the medical drama Grey's Anatomy (2006–2007) earned Chandler his first Primetime Emmy Award nomination. Chandler's film work has included notable supporting roles in King Kong (2005), The Day the Earth Stood Still (2008), Super 8 (2011), Argo, Zero Dark Thirty (both 2012), The Wolf of Wall Street (2013), Carol (2015), Manchester by the Sea (2016), Game Night and First Man (both 2018), Godzilla: King of the Monsters (2019), Godzilla vs. Kong (2021). Chandler has also starred in the Netflix thriller series Bloodline (2015–2017), for which he received further Primetime Emmy Award nominations.
The lives of the Barretts, a normal suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia. To her parents’ despair, the doctors are unable to stop Marjorie’s descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts’ plight. With John, Marjorie’s father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend. Fifteen years later, a bestselling writer interviews Marjorie’s younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, secrets and painful memories that clash with what was broadcast on television begin to surface—and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.
