
Age: 51
male
David Kenneth Harbour (born April 10, 1975) is an American actor. He has received nominations for a Tony Award, a Golden Globe Award, and two Primetime Emmy Awards. David began his career acting in Shakespearean theatre productions. After his professional debut on Broadway in the 1999 revival of The Rainmaker, he was nominated for a Tony Award for his performance in a production of Who's Afraid of Virginia Woolf?. He made his television debut on Law & Order in 1999 and had supporting roles in films such as Brokeback Mountain (2005), Revolutionary Road (2008) and Black Mass (2015). Harbour gained global recognition for his portrayal of Jim Hopper in the Netflix science fiction series Stranger Things (2016–2025), for which he received a Critics' Choice Television Award as well as nominations for two Primetime Emmy Awards. His starring film roles include the title character in Hellboy (2019), Santa Claus in Violent Night (2022) and a former racer in the sports film Gran Turismo (2023). Harbour has played Red Guardian in the Marvel Cinematic Universe media franchise, beginning with the film Black Widow (2021). Description above from the Wikipedia article David Harbour, licensed under CC-BY-SA, full list of contributors on Wikipedia.

The lives of the Barretts, a normal suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia. To her parents’ despair, the doctors are unable to stop Marjorie’s descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts’ plight. With John, Marjorie’s father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend. Fifteen years later, a bestselling writer interviews Marjorie’s younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, secrets and painful memories that clash with what was broadcast on television begin to surface—and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.

