
Age: 48
male
Edward Thomas Hardy CBE (born 15 September 1977) is an English actor, producer, writer and former model. After studying acting at the Drama Centre London, he made his film debut in Ridley Scott's Black Hawk Down (2001). He has since been nominated for the Academy Award for Best Supporting Actor, two Critics' Choice Movie Awards and two British Academy Film Awards, receiving the 2011 BAFTA Rising Star Award. Hardy has also appeared in films such as Star Trek: Nemesis (2002), RocknRolla (2008), Bronson (2008), Warrior (2011), Tinker Tailor Soldier Spy (2011), Lawless (2012), This Means War (2012), Locke (2013), The Drop (2014), and The Revenant (2015), for which he received a nomination for an Academy Award. In 2015, he portrayed "Mad" Max Rockatansky in Mad Max: Fury Road and both Kray twins in Legend. He has appeared in three Christopher Nolan films: Inception (2010) as Eames, The Dark Knight Rises (2012) as Bane, and Dunkirk (2017) as an RAF fighter-pilot. He starred as both Eddie Brock and Venom in the 2018 anti-hero film Venom and its sequel Venom: Let There Be Carnage (2021). Hardy's television roles include the HBO war drama mini-series Band of Brothers (2001), the BBC historical drama mini-series The Virgin Queen (2005), Bill Sikes in the BBC's mini-series Oliver Twist (2007), Heathcliff in ITV's Wuthering Heights (2009), the Sky 1 drama series The Take (2009), and as Alfie Solomons in the BBC historical crime drama series Peaky Blinders (2014–present). He created, co-produced, and took the lead in the eight-part historical fiction series Taboo (2017) on BBC One and FX. In 2020, he also contributed narration work to the Amazon docuseries All or Nothing: Tottenham Hotspur. Hardy has performed on both British and American stages. He was nominated for the Laurence Olivier Award for Most Promising Newcomer for his role as Skank in the production of In Arabia We'd All Be Kings (2003), and was awarded the 2003 Evening Standard Theatre Award for Outstanding Newcomer for his performances in both In Arabia We'd All Be Kings and Blood, in which he played Luca. He starred in the production of The Man of Mode (2007) and received positive reviews for his role in the play The Long Red Road (2010). Hardy is active in charity work and is an ambassador for the Prince's Trust. He was appointed a CBE in the 2018 Birthday Honours for services to drama. Description above from the Wikipedia article Tom Hardy, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Tom Hardy

Heywood R. Floyd
for Heywood R. Floyd in 2001: A Space Odyssey
Suggested by zdrwa

In an African desert millions of years ago, a tribe of hominids is driven away from its water hole by a rival tribe. They awaken to find a featureless black monolith has appeared before them. Seemingly influenced by the monolith, they discover how to use a bone as a weapon and drive their rivals away from the water hole. Millions of years later, a Pan Am spaceplane carries Dr. Heywood Floyd to the huge Space Station V orbiting Earth for a layover on his trip to Clavius Base, a United States outpost on the Moon. After Floyd has a videophone call with his daughter, he deflects questions from his Soviet scientist friend and her colleague about rumors of a mysterious epidemic at Clavius. Floyd speaks to a meeting of Clavius personnel, apologizing for the epidemic cover story but stressing secrecy. His mission is to investigate a recently found artifact buried four million years ago near the crater Tycho. Floyd and others ride in a Moonbus to the artifact, a monolith identical to the one encountered by the ape-men. When sunlight strikes the monolith for the first time in millions of years, a loud high-pitched radio signal is heard. Eighteen months later, the United States spacecraft Discovery One is bound for Jupiter. On board are mission pilots and scientists Dr. David Bowman and Dr. Frank Poole, along with three other scientists in suspended animation. Most of Discovery's operations are controlled by the ship's computer, a HAL 9000 with a human personality that the crew calls "Hal". Hal says he is "foolproof and incapable of error". Hal raises concerns about the nature of the mission to Bowman, but their conversation is interrupted when Hal reports the imminent failure of an antenna control device. The astronauts retrieve it in an extravehicular activity (EVA) pod but find nothing wrong. Hal suggests reinstalling the device and letting it fail so the problem can be found. Mission Control advises the astronauts that results from their twin HAL 9000 indicate that Hal is in error about the device's imminent failure. Hal says the discrepancy must be due to human error. Concerned about Hal's behavior, Bowman and Poole enter an EVA pod to talk without Hal overhearing, and agree to disconnect Hal if he is proven wrong. Hal secretly follows their conversation by lip reading. While Poole is on a space walk outside his EVA pod attempting to replace the unit, Hal takes control of the pod, severs his oxygen hose and sets him adrift. Bowman takes another pod to rescue Poole. Meanwhile, Hal turns off the life support functions of the crewmen in suspended animation. When Bowman returns to the ship with Poole's body, Hal refuses to let him in, stating that the astronauts' plan to deactivate him jeopardizes the mission. Bowman opens the ship's emergency airlock manually, enters the ship, and proceeds to Hal's processor core. Hal tries to reassure Bowman, then pleads with him to stop, and finally expresses fear. As Bowman gradually deactivates the circuits controlling Hal's higher intellectual functions, Hal regresses to his earliest programmed memory, the song "Daisy Bell", which he sings for Bowman. When Bowman disconnects Hal, a prerecorded video message from Floyd plays, revealing that the mission's true objective is to investigate a radio signal, sent from a lunar artifact (the monolith) to Jupiter. Only Hal and the hibernating crew had been told this. At Jupiter, Bowman leaves Discovery One in an EVA pod to investigate another monolith orbiting the planet. The pod is pulled into a vortex of colored light, the Star Gate, and Bowman races across vast distances of space, viewing bizarre cosmological phenomena and strange landscapes of unusual colors. Bowman finds himself in a bedroom appointed in the neoclassical style. He sees, and then becomes, older versions of himself, first standing in the bedroom, middle-aged and still in his spacesuit, then dressed in leisure attire and eating dinner, and finally as an old man lying in the bed. A monolith appears at the foot of the bed, and as Bowman reaches for it, he is transformed into a fetus enclosed in a transparent orb of light, the Star Child. The new being floats in space beside the Earth, gazing at it.


