
Age: 47
male
Óscar Isaac Hernández Estrada (born March 9, 1979) is an American actor. Recognized for his versatility, he has been credited with breaking stereotypes about Latino characters in Hollywood. He was named the best actor of his generation by Vanity Fair in 2017 and one of the 25 greatest actors of the 21st century by The New York Times in 2020. His accolades include a Golden Globe Award and a nomination for a Primetime Emmy Award. In 2016, he featured on Time's list of the 100 most influential people in the world. Born in Guatemala, Isaac moved with his family to the United States as an infant. As a teenager, he joined a punk band, acted in plays and made his film debut in a minor role. A graduate of the Juilliard School, Isaac was a character actor in films for much of the 2000s. His first major role was that of Joseph in the biblical drama The Nativity Story (2006), and he won an AACTA Award for Best Actor in a Supporting Role for portraying political leader José Ramos-Horta in the Australian film Balibo (2009). After gaining recognition for playing supporting parts in Robin Hood (2010) and Drive (2011), Isaac had his breakthrough with the eponymous role of a singer in the musical drama Inside Llewyn Davis (2013), which earned him a Golden Globe nomination. Isaac's career progressed with leading roles in the crime drama A Most Violent Year (2014), the thriller Ex Machina (2015) and the superhero film X-Men: Apocalypse (2016). He became a global star with the role of Poe Dameron in the Star Wars sequel trilogy (2015–2019). Isaac starred in the historical drama Operation Finale (2018)—which marked his first venture into production—the science fiction films Annihilation (2018), Dune (2021), and Frankenstein (2025), the crime drama The Card Counter (2021), and the animated superhero film Spider-Man: Across the Spider-Verse (2023). On television, Isaac was the lead in three miniseries: Show Me a Hero (2015), in which his portrayal of Nick Wasicsko won him a Golden Globe Award, Scenes from a Marriage (2021), and the Marvel Cinematic Universe's Moon Knight (2022). His stage work includes title roles in Romeo and Juliet (2007), Hamlet (2017) and The Sign in Sidney Brustein's Window (2023). Description above from the Wikipedia article Oscar Isaac, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Oscar Isaac

Heywood R. Floyd
for Heywood R. Floyd in 2001: A Space Odyssey
Suggested by zdrwa

In an African desert millions of years ago, a tribe of hominids is driven away from its water hole by a rival tribe. They awaken to find a featureless black monolith has appeared before them. Seemingly influenced by the monolith, they discover how to use a bone as a weapon and drive their rivals away from the water hole. Millions of years later, a Pan Am spaceplane carries Dr. Heywood Floyd to the huge Space Station V orbiting Earth for a layover on his trip to Clavius Base, a United States outpost on the Moon. After Floyd has a videophone call with his daughter, he deflects questions from his Soviet scientist friend and her colleague about rumors of a mysterious epidemic at Clavius. Floyd speaks to a meeting of Clavius personnel, apologizing for the epidemic cover story but stressing secrecy. His mission is to investigate a recently found artifact buried four million years ago near the crater Tycho. Floyd and others ride in a Moonbus to the artifact, a monolith identical to the one encountered by the ape-men. When sunlight strikes the monolith for the first time in millions of years, a loud high-pitched radio signal is heard. Eighteen months later, the United States spacecraft Discovery One is bound for Jupiter. On board are mission pilots and scientists Dr. David Bowman and Dr. Frank Poole, along with three other scientists in suspended animation. Most of Discovery's operations are controlled by the ship's computer, a HAL 9000 with a human personality that the crew calls "Hal". Hal says he is "foolproof and incapable of error". Hal raises concerns about the nature of the mission to Bowman, but their conversation is interrupted when Hal reports the imminent failure of an antenna control device. The astronauts retrieve it in an extravehicular activity (EVA) pod but find nothing wrong. Hal suggests reinstalling the device and letting it fail so the problem can be found. Mission Control advises the astronauts that results from their twin HAL 9000 indicate that Hal is in error about the device's imminent failure. Hal says the discrepancy must be due to human error. Concerned about Hal's behavior, Bowman and Poole enter an EVA pod to talk without Hal overhearing, and agree to disconnect Hal if he is proven wrong. Hal secretly follows their conversation by lip reading. While Poole is on a space walk outside his EVA pod attempting to replace the unit, Hal takes control of the pod, severs his oxygen hose and sets him adrift. Bowman takes another pod to rescue Poole. Meanwhile, Hal turns off the life support functions of the crewmen in suspended animation. When Bowman returns to the ship with Poole's body, Hal refuses to let him in, stating that the astronauts' plan to deactivate him jeopardizes the mission. Bowman opens the ship's emergency airlock manually, enters the ship, and proceeds to Hal's processor core. Hal tries to reassure Bowman, then pleads with him to stop, and finally expresses fear. As Bowman gradually deactivates the circuits controlling Hal's higher intellectual functions, Hal regresses to his earliest programmed memory, the song "Daisy Bell", which he sings for Bowman. When Bowman disconnects Hal, a prerecorded video message from Floyd plays, revealing that the mission's true objective is to investigate a radio signal, sent from a lunar artifact (the monolith) to Jupiter. Only Hal and the hibernating crew had been told this. At Jupiter, Bowman leaves Discovery One in an EVA pod to investigate another monolith orbiting the planet. The pod is pulled into a vortex of colored light, the Star Gate, and Bowman races across vast distances of space, viewing bizarre cosmological phenomena and strange landscapes of unusual colors. Bowman finds himself in a bedroom appointed in the neoclassical style. He sees, and then becomes, older versions of himself, first standing in the bedroom, middle-aged and still in his spacesuit, then dressed in leisure attire and eating dinner, and finally as an old man lying in the bed. A monolith appears at the foot of the bed, and as Bowman reaches for it, he is transformed into a fetus enclosed in a transparent orb of light, the Star Child. The new being floats in space beside the Earth, gazing at it.


