
Age: 59
female
Emily Margaret Watson (born 14 January 1967) is an English actress. She began her career on stage and joined the Royal Shakespeare Company in 1992. In 2002, she starred in productions of Twelfth Night and Uncle Vanya at the Donmar Warehouse. She was nominated for the Olivier Award for Best Actress for the latter. She was nominated for the Academy Award for Best Actress for her debut film role as a newlywed in Lars von Trier's Breaking the Waves (1996) and for her portrayal of Jacqueline du Pré in Anand Tucker's Hilary and Jackie (1998). Watson's other films include The Boxer (1997), Angela's Ashes (1999), Gosford Park (2001), Punch-Drunk Love (2002), Red Dragon (2002), The Life and Death of Peter Sellers (2004), Corpse Bride (2005), Miss Potter (2006), Synecdoche, New York (2008), Oranges and Sunshine (2010), War Horse (2011), The Theory of Everything (2014), Kingsman: The Golden Circle (2017), God's Creatures (2022), and Small Things like These (2024). She was nominated for a Primetime Emmy Award and a Golden Globe Award for her role in the HBO miniseries Chernobyl. She won the British Academy Television Award for Best Actress for playing Janet Leach in the 2011 ITV television biopic Appropriate Adult. She was nominated for the International Emmy Award for Best Actress for the 2017 BBC miniseries Apple Tree Yard. In 2024, she portrayed the lead role of Valya Harkonnen in the HBO science fiction series Dune: Prophecy. Watson is a supporter of the children's charity the NSPCC. In 2004, she was inducted into the society's hall of fame for spearheading the successful campaign to appoint a Children's Commissioner for England. Receiving her award in the crowded House of Commons, she spoke out against the possibility that the Children's Commissioner become a figurehead with little real power.

Emily Watson

Fanny Gabor
for Fanny Gabor in 𝒮𝓅𝓇𝒾𝓃𝑔 𝒜𝓌𝒶𝓀𝑒𝓃𝒾𝓃𝑔
Suggested by demurelyhydrated

It is Germany, 1891, a world where the grown-ups hold all the cards. The beautiful young Wendla explores the mysteries of her body and wonders aloud where babies come from... until Mama tells her to shut it and put on a proper dress. Elsewhere, the brilliant and fearless young Melchior interrupts a mind-numbing Latin drill to defend his buddy, Moritz – a boy so traumatized by puberty that he can't concentrate on anything... not that the Headmaster cares. He strikes them both and tells them to turn in their lesson. One afternoon, in a private place in the woods, Melchior and Wendla meet by accident and soon find within themselves a desire unlike anything they've ever felt. As they fumble their way into one another's arms, Moritz flounders and soon fails out of school. When even his one adult friend, Melchior's mother, ignores his plea for help, he is left so distraught that he can't hear the promise of life offered by his outcast friend, Ilse. Naturally, the Headmasters waste no time in pinning the "crime" of Moritz's suicide on Melchior to expel him. And soon, Mama learns that her little Wendla is pregnant. Now the young lovers must struggle against all odds to build a world together for their child.





