
Age: 75
female
Luisa Huertas is an actress of Salvadoran and Mexican nationality, born on June 24, 1951, in San Salvador, El Salvador. Born to a Spanish refugee father and a Mexican businesswoman mother, Luisa was trained at the Escuela de Arte Teatral del INBA and the Centro Universitario de Teatro CUT-UNAM, two of Mexico's most respected institutions. She spent part of the 1970s in film and was also known for her role as Rosita in the children's series Sesame Street, before beginning her remarkable career in Mexican television, in several of the most popular and recognized telenovelas, including Dulce Desafío (1988-1989), Carrusel (1989), Al filo de la muerte (1991), Volver a empezar (1994), among others. A founding member of the Mexican Academy of Theatrical Art, in addition to being a member of the Advisory Board of the CUT of the UNAM, she has also been a stable and frequent cast member of the National Theater Company. In recent years, Luisa has participated in series such as La casa de las flores (2020), Todo por nada (2021) and in films such as Dos mujeres y una Vaca (2015) and Cosas imposibles (2021). She is a graduate of the Escuela de Arte Teatral del INBA and the Centro Universitario de Teatro, CUT-UNAM where she has also taught. She is co-founder and General Director of the Centro de Estudios para el Uso de la Voz (CEUVOZ). She received the Asociación de Periodistas de Teatro award and the Metro award both for best actress for El diccionario. She won the Ariel for her role in Arturo Ripstein's Mentiras Piadosas. She is a founding member of the Academia Mexicana de Arte Teatral, A.C. and is part of the stable cast of the Compañía Nacional de Teatro. In 2020 she was named by Dr. Claudia Sheinbaum, Living Cultural Heritage of Mexico City, celebrating 50 years of career.

Dr. Briana Ortiz’s life is seriously flatlining. Her divorce is just about finalized, her brother’s running out of time to find a kidney donor, and that promotion she wants? Oh, that’s probably going to the new man-doctor who’s already registering eighty-friggin’-seven on Briana’s “pain in my ass” scale. But just when all systems are set to hate, Dr. Jacob Maddox completely flips the game . . . by sending Briana a letter. And it’s a really good letter. Like the kind that proves that Jacob isn’t actually Satan. Worse, he might be this fantastically funny and subversively likeable guy who’s terrible at first impressions. Because suddenly he and Bri are exchanging letters, sharing lunch dates in her “sob closet,” and discussing the merits of freakishly tiny horses. But when Jacob decides to give Briana the best gift imaginable—a kidney for her brother—she wonders just how she can resist this quietly sexy new doctor . . . especially when he calls in a favor she can’t refuse.
