
Age: 42
male
Joseph Francis Mazzello (born September 21, 1983), sometimes credited as Joe Mazzello, is an American actor, director, and screenwriter. He is best known for his roles as Tim Murphy in Jurassic Park (1993), Eugene Sledge in the HBO miniseries The Pacific (2010), Dustin Moskovitz in The Social Network (2010) and Queen bass player John Deacon in the biopic Bohemian Rhapsody (2018). His first film appearance was a small role in 1990 film Presumed Innocent. He then went on to appear in Radio Flyer, Jersey Girl and the TV film Desperate Choices: To Save My Child in 1992. In 1993, he gained further recognition after starring in Steven Spielberg's Jurassic Park as Tim Murphy and in Richard Attenborough's Shadowlands. He later appeared in 1994's The River Wild. In 1995, he had roles in The Cure and Three Wishes. His first film role in 2001 was in Wooly Boys. In 2002, he made his television debut on Providence. He then appeared on CBS' hit shows CSI: Crime Scene Investigation and Without a Trace. Afterwards, he appeared in Raising Helen (2004), The Hollow (2004), The Sensation of Sight (2006), and the short film Beyond All Boundaries (2009). He made his directorial debut with the short film Matters of Life and Death (2007). In 2010, Mazzello played Dustin Moskovitz in the David Fincher-directed film The Social Network. His performance was well-received by critics, and he and the cast were nominated for several awards. He went on to appear in G.I. Joe: Retaliation as G.I. Joe operative Mouse in 2013, and starred as John Deacon in the 2018 Queen biopic, Bohemian Rhapsody. Description above is from the Wikipedia article Joseph Mazzello, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Dr. Briana Ortiz’s life is seriously flatlining. Her divorce is just about finalized, her brother’s running out of time to find a kidney donor, and that promotion she wants? Oh, that’s probably going to the new man-doctor who’s already registering eighty-friggin’-seven on Briana’s “pain in my ass” scale. But just when all systems are set to hate, Dr. Jacob Maddox completely flips the game . . . by sending Briana a letter. And it’s a really good letter. Like the kind that proves that Jacob isn’t actually Satan. Worse, he might be this fantastically funny and subversively likeable guy who’s terrible at first impressions. Because suddenly he and Bri are exchanging letters, sharing lunch dates in her “sob closet,” and discussing the merits of freakishly tiny horses. But when Jacob decides to give Briana the best gift imaginable—a kidney for her brother—she wonders just how she can resist this quietly sexy new doctor . . . especially when he calls in a favor she can’t refuse.






