Age: 53
male
Abel Korzeniowski’s work in film music places him in a small group of composers who seem destined to define the future of the art form. It is his passionate, evocative, and truly original music grounded in modern European style, that fixes a singular impression on the listener. Korzeniowski’s scores have received tremendous critical enthusiasm and numerous awards, most notably two Golden Globe nominations, and three World Soundtrack Awards. His lush, stirring, highly original music for Tom Ford’s A Single Man, starring Colin Firth and Julianne Moore, was greeted with immediate acclaim. The score caught the attention of Madonna, who invited him to create music for her feature film W.E.. Stylish and bittersweet, W.E.’s score brilliantly reflects the glamorous romance between Wallis Simpson and The Duke of Windsor. One reviewer called it “chocolate for the ears.” Evgeni’s Waltz, a piano piece from W.E., became the basis of a new version of Madonna’s hit Like a Virgin, performed during her 2012 MDNA world tour. For Patricia Kaas, Mr. Korzeniowski has reimagined the songs of Edith Piaf, arranging and producing the record album Kaas Chante Piaf, commemorating the 50th anniversary of Piaf’s death. In addition to his other film work, Mr. Korzeniowski has created musical identities for some of the world’s most prestigious brands, including BMW-i Electric Vehicles and Tiffany & Co. Born in Krakow, Poland, Korzeniowski studied classical composition under Krzysztof Penderecki. In 2006, he moved to Los Angeles, where he currently resides.
Piano prodigy Kōsei Arima dominated the competition and has become famous among child musicians but also controversial. After his mother, who was also his coldhearted, abusive instructor who forced him to play the piano emotionlessly, died, he had a mental breakdown while performing at a piano recital at the age of eleven. As a result, he is no longer able to hear the sound of his piano even though his hearing is perfectly fine. Two years later, Kōsei hasn't touched the piano and views the world in monochrome, without any flair or color. He has resigned himself to living out his life with his good friends, Tsubaki and Watari, until, one day, a girl changes everything. Kaori Miyazono, a fourteen-year old audacious, free-spirited violinist whose playing style reflects her manic personality, helps Kōsei return to the music world and shows that it should be free and mold breaking unlike the structured and rigid style Kōsei was used to, and as she continues to uplift him, he quickly realizes that he loves her, though she already likes Watari. The three watch Kaori play at a competition and are greatly moved. She is selected to play at the prelims, due to winning audiences' choice. After Watari stays after school for soccer practice and doesn't walk with Kaori, she asked Kōsei to fill in. They go to a café and Kōsei shows two girls his piano skills. He does an amazing job, but stops abruptly. He explains later on to Kaori, why this is. She asked Kōsei to accompany her at the prelims. He refuses at first, but after much persuasion from Tsubaki and Kaori, Kōsei finally agrees. Though they have not rehearsed, they do an incredible job, except for the time when Kōsei is unable to hear the notes for a moment. Kaori stops and waits for him, and they eventually pick back up. Because of this, the two are disqualified. When they finish Kōsei and Kaori receive a long round of applause, but Kaori suddenly collapses and is hospitalised. When visited by Kōsei, Tsubaki, and Watari she says she has always been anemic and her father just wanted some routine testing done. She then says she will be fine. Though, when they leave she asks the nurse to hook her back up to the IVs and has a flashback looking out the window in her hospital bed saying, "I see, so I collapsed again". She is back in school soon after. Kaori invites Kōsei to play at a gala concert with her. However, Kaori fails to show up on the day of the Gala, and Kousei plays alone. Kaori's health worsens, and she begins to give up on life. However, Kousei reinspires her after playing a duet with Nagi Aiza, Takeshi's sister. Kaori opts for a risky surgery that will kill her if it fails, just so that she can play with Kousei one more time. Kaori dies due to the surgery, but leaves a letter to Kōsei which is given to him by her parents at her funeral in which she eventually states that she was in love with Kōsei, and that the lie she told in April was that she had a crush on his friend Watari.
