Age: 38
female
Vanessa Nuala Kirby is an English actress. She rose to international prominence with her portrayal of Princess Margaret in the Netflix drama series The Crown (2016–2017), for which she won the BAFTA for Best Supporting Actress. For her performance in the film Pieces of a Woman (2020), she won the Volpi Cup for Best Actress. She received a nomination for the Academy Award for Best Actress. Kirby made her professional acting debut on stage, with acclaimed performances in the plays All My Sons (2010), A Midsummer Night's Dream (2010), Women Beware Women (2011), Three Sisters (2012), and as Stella Kowalski in A Streetcar Named Desire (2014). She also appeared in the action films Mission: Impossible – Fallout (2018), Hobbs & Shaw (2019), and The Fantastic Four: First Steps (2025), and portrayed Empress Joséphine in the historical drama Napoleon (2023). Description above from the Wikipedia article Vanessa Kirby, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Born under different stars, Protestant Mungo and Catholic James live in the hyper-masculine and violently sectarian world of Glasgow’s housing estates. They should be sworn enemies if they’re to be seen as men at all, and yet they become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds. As they find themselves falling in love, they dream of escaping the grey city, and Mungo works especially hard to hide his true self from all those around him, especially from his elder brother Hamish, a local gang leader with a brutal reputation to uphold. But the threat of discovery is constant and the punishment unspeakable. When Mungo’s mother sends him on a fishing trip to a loch in Western Scotland with two strange men whose drunken banter belies murky pasts, he will need to summon all his inner strength and courage to get back to a place of safety, a place where he and James might still have a future. Imbuing the everyday world of its characters with rich lyricism and giving full voice to people rarely acknowledged in literary fiction, Douglas Stuart's Young Mungo is a gripping and revealing story about the bounds of masculinity, the push and pull of family, the violence faced by so many queer people, and the dangers of loving someone too much
