Age: 47
male
James McAvoy (born April 21, 1979) is a Scottish actor. He made his acting debut as a teen in The Near Room (1995) and appeared mostly on television until 2003, when his feature film career began. His notable television work includes the thriller State of Play, science fiction miniseries Frank Herbert's Children of Dune and the channel 4s BAFTA award-winning series Shameless (British TV series) He has performed in several West End productions and has received four nominations for the Laurence Olivier Award for Best Actor, and has also done voice work for animated films including Gnomeo & Juliet, its sequel Sherlock Gnomes, and Arthur Christmas. In 2003, McAvoy appeared in a lead role in Bollywood Queen, then in another lead role as Rory in Inside I'm Dancing in 2004. This was followed by a supporting role, as the faun Mr. Tumnus, in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005). His performance in Kevin Macdonald's drama The Last King of Scotland (2006) garnered him several award nominations, including the BAFTA Award for Best Supporting Actor. The critically acclaimed romantic drama war film Atonement (2007) earned him a Golden Globe Award nomination and his second BAFTA nomination. He later appeared as a newly trained assassin in the action thriller Wanted (2008). In 2011, McAvoy portrayed Professor Charles Xavier in the superhero film X-Men: First Class, a role he reprised in X-Men: Days of Future Past (2014), X-Men: Apocalypse (2016), Deadpool 2 (2018), and Dark Phoenix (2019). McAvoy starred in the crime comedy-drama film Filth (2013), for which he won Best Actor in the British Independent Film Awards. In 2016, he portrayed Kevin Wendell Crumb, a man with 23 alternate personalities, in M. Night Shyamalan's Split, for which he received critical acclaim, and later reprised the role for the sequel Glass (2019). Since 2019, he has portrayed Lord Asriel Belacqua in the BBC/HBO fantasy series His Dark Materials.
Born under different stars, Protestant Mungo and Catholic James live in the hyper-masculine and violently sectarian world of Glasgow’s housing estates. They should be sworn enemies if they’re to be seen as men at all, and yet they become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds. As they find themselves falling in love, they dream of escaping the grey city, and Mungo works especially hard to hide his true self from all those around him, especially from his elder brother Hamish, a local gang leader with a brutal reputation to uphold. But the threat of discovery is constant and the punishment unspeakable. When Mungo’s mother sends him on a fishing trip to a loch in Western Scotland with two strange men whose drunken banter belies murky pasts, he will need to summon all his inner strength and courage to get back to a place of safety, a place where he and James might still have a future. Imbuing the everyday world of its characters with rich lyricism and giving full voice to people rarely acknowledged in literary fiction, Douglas Stuart's Young Mungo is a gripping and revealing story about the bounds of masculinity, the push and pull of family, the violence faced by so many queer people, and the dangers of loving someone too much
