Age: 43
female
Anna Ragsdale Camp (born September 27, 1982) is an American actress, model and singer. She is known for her role as Sarah Newlin in True Blood, and her recurring roles in Mad Men, The Good Wife, and The Mindy Project. She is also known for her role as Aubrey Posen in Pitch Perfect (2012), Pitch Perfect 2 (2015), and Pitch Perfect 3 (2017). She made her Broadway debut in the 2008 production of A Country House and played Jill Mason in the 2008 Broadway revival of Equus. In 2012, she was nominated for a Drama Desk Award for her performance in the Off-Broadway play All New People. Camp played Jane Hollander, a researcher for the fictitious News of the Week magazine in the Amazon series Good Girls Revolt. She also had a role in the 2011 film The Help.
Anna Camp
Maddie Lockwood / Reagan Lockwood
for Maddie Lockwood / Reagan Lockwood in You
Suggested by Aiem
You follows Joe Goldberg, a bookstore manager in New York who becomes dangerously obsessed with Beck, an aspiring writer he spots in his shop. Using social media stalking and manipulation, Joe insinuates himself into Beck's life, eliminating obstacles to their relationship with calculated violence. When Beck discovers his true nature, Joe frames her ex-boyfriend for her murder. The series expands as Joe relocates to Los Angeles, where he becomes fixated on Love Quinn, a chef who shares his dark proclivities. Together they navigate marriage, parenthood, and their mutual capacity for murder while maintaining a facade of normalcy. The narrative explores themes of toxic obsession, the illusion of privacy in the digital age, and the rationalization of violence by those who believe themselves justified. Each season peels back layers of Joe's psychology, revealing how childhood trauma and societal failures shaped his predatory behavior. The show examines how easily manipulation and violence can hide behind charm and vulnerability, and how social media enables stalking and deception. With unreliable narration and Joe's internal monologue justifying his crimes, the series questions viewer complicity in rooting for an unambiguous villain.
