Died at 78
male
Richard Thomas Griffiths (July 31, 1947 – March 28, 2013) was an English actor of film, television, and stage. For his performance in the stage play The History Boys, Griffiths won a Tony Award, a Laurence Olivier Award, the Drama Desk Award and the Outer Critics Circle Award. For the 2006 film adaptation, Griffiths was nominated for the BAFTA Award for Best Actor in a Leading Role. He played Vernon Dursley in the Harry Potter films (2001-2010) and Great Uncle Matthew Brown "Gum" in the BBC film Ballet Shoes (2007). He also portrayed Uncle Monty in Withnail and I (1987), and Henry Crabbe in Pie in the Sky (1994–1997). Earlier in his career, he had supporting roles in such critically acclaimed films as Chariots of Fire (1981), The French Lieutenant's Woman (1981), Gandhi (1982), and The Naked Gun 2+1⁄2: The Smell of Fear (1991). In his later career he appeared in Sleepy Hollow (1999), The Hitchhiker's Guide to the Galaxy (2005), Pirates of the Caribbean: On Stranger Tides (2011) and in Martin Scorsese's Hugo (2011).
Richard Griffiths
Walter Smudgens
for Walter Smudgens in You Can Run
Suggested by triciafclarke
Laurel Snow wouldn’t call hunting a serial killer a vacation, but with a pile of dead bodies unearthed near her Genesis Valley, WA, hometown, she’ll take what she can get. Yet something about this case stirs her in unexpected ways. Like the startling connection she feels to Dr. Abigail Caine, a fiercely intelligent witness with a disturbing knack for making Laurel feel like she has something on her. Then there’s Laurel’s attraction to Huck Rivers, the fish and wildlife officer guiding her to the crime scene—and into the wilderness… A former soldier and a trained sniper, Huck’s thirst for blood is rivaled only by his fierce pursuit of Laurel. He’s been burned by love, wounded by the government, and betrayed before, and to say he has trust issues is the ultimate understatement. Plus, he might be closer to this killer than anybody knows… Once in the heart of darkness with Huck, Laurel must negotiate her distracting desire for him, her complex rapport with Abigail—and her mission to find a serial killer among a growing list of suspects and a danger that’s far too close to home. So close in fact, Laurel fears she will never find her way back to the woman she once was…
