Age: 29
female
Kathryn Love Newton (born February 8, 1997) is an American actress. She is known for her starring roles as Louise Brooks in the CBS comedy series Gary Unmarried (2008–2010), Abigail Carlson in the HBO mystery drama series Big Little Lies (2017–2019), and Allie Pressman in the Netflix teen drama series The Society (2019). She is also known for portraying the older versions of Claire Novak in The CW dark fantasy series Supernatural (2014–2018) and Joanie Clark in the AMC period drama series Halt and Catch Fire (2016–2017). Newton has appeared in various films, including Bad Teacher (2011), Three Billboards Outside Ebbing, Missouri (2017), Blockers (2018), Pokémon Detective Pikachu (2019), Freaky (2020), The Map of Tiny Perfect Things (2021), Ant-Man and the Wasp: Quantumania (2023), and Abigail (2024). For her role in the horror film Paranormal Activity 4 (2012), Newton received the Young Artist Award for Best Leading Young Actress in a Feature Film. Description above from the Wikipedia article Kathryn Newton, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.
