
Age: 43
male
Kieran Kyle Culkin (born September 30, 1982) is an American actor known for portraying distasteful yet sympathetic characters across stage and screen. His accolades include an Academy Award, a BAFTA Award, a Primetime Emmy Award, and two Golden Globe Awards. Culkin began his career as a child actor in off-Broadway theatre productions. He debuted his feature film alongside his older brother, Macaulay, in the Christmas comedy Home Alone (1990). After achieving his breakthrough role as a sardonic teenager in the comedy-drama Igby Goes Down (2002), which earned him his first Golden Globe Award nomination, Culkin took a break from the screen due to personal conflicts. He returned to film six years later by playing Wallace Wells in the action comedy Scott Pilgrim vs. the World (2010). Culkin won the Academy Award for Best Supporting Actor for his performance as a grief-stricken cousin in the buddy comedy A Real Pain (2024). On television, Culkin found a career resurgence with his portrayal of Roman Roy in the HBO drama series Succession (2018–2023), for which he won the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series. His voice-acting work includes roles in Solar Opposites (2022–present) and Scott Pilgrim Takes Off (2023). On stage, Culkin starred in the West End and Broadway productions of Kenneth Lonergan's This Is Our Youth. He also portrayed Richard Roma in the Broadway revival of David Mamet's Glengarry Glen Ross (2025). Description above from the Wikipedia article Kieran Culkin, licensed under CC-BY-SA, is a full list of contributors on Wikipedia.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.






