Age: 38
male
Jesse Plemons (/ˈplɛmənz/; born April 2, 1988) is an American actor. He began his career as a child actor and achieved a breakthrough with his role as Landry Clarke in the NBC drama series Friday Night Lights (2006–2011). He subsequently portrayed Todd Alquist in season 5 of the AMC crime drama series Breaking Bad(2012–2013) and its sequel film El Camino: A Breaking Bad Movie (2019). He received his first Primetime Emmy Award nomination for his role as Ed Blumquist in season 2 of the FX anthology series Fargo (2015). He won a Critics' Choice Television Award. He received a second Emmy nomination for his performance in "USS Callister", an episode of the anthology series Black Mirror (2017). Plemons has acted in supporting roles in films such as The Master (2012), Bridge of Spies (2015), Game Night (2018), The Irishman (2019), Judas and the Black Messiah (2021) and Killers of the Flower Moon (2023). He starred in Other People (2016) and I'm Thinking of Ending Things (2020). For playing a rancher in The Power of the Dog (2021), he was nominated for the Academy Award for Best Supporting Actor, and for playing three roles in the anthology film Kinds of Kindness (2024), he won the Cannes Film Festival Award for Best Actor. Description above from the Wikipedia article Jesse Plemons, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.
