Age: 60
female
Helena Bonham Carter CBE (born May 26, 1966) is an English actress. Known for her roles in independent films and blockbusters, especially period dramas, she is the recipient of various accolades, including a British Academy Film Award and three Screen Actors Guild Awards, in addition to nominations for two Academy Awards, four British Academy Television Awards, nine Golden Globe Awards, and five Primetime Emmy Awards. Bonham Carter rose to prominence by playing Lucy Honeychurch in A Room with a View (1985) and the title character in Lady Jane (1986). Her early period roles saw her typecast as a virginal "English rose", a label she was uncomfortable with. She is best known for her eccentric fashion, dark aesthetic, and for often playing quirky women. For her role as Kate Croy in The Wings of the Dove (1997), Bonham Carter received a nomination for the Academy Award for Best Actress, and for her portrayal of Queen Elizabeth The Queen Mother in The King's Speech (2010), she won the BAFTA Award for Best Actress in a Supporting Role, and was nominated for the Academy Award for Best Supporting Actress. Her other films include Hamlet (1990), Howards End (1992), Mary Shelley's Frankenstein (1994), Mighty Aphrodite (1995), Fight Club (1999), Wallace & Gromit: The Curse of the Were-Rabbit (2005), the Harry Potter series (2007–2011) as Bellatrix Lestrange, Great Expectations (2012) as Miss Havisham, Les Misérables (2012), Cinderella (2015), Ocean's 8 (2018), and Enola Holmes (2020). Her collaborations with director Tim Burton, her former domestic partner, include Big Fish (2003), Corpse Bride (2005), Charlie and the Chocolate Factory (2005), Sweeney Todd: The Demon Barber of Fleet Street (2007) as Mrs. Lovett, Alice in Wonderland (2010) as the Red Queen, and Dark Shadows (2012). For her role as children's author Enid Blyton in the BBC Four biographical film Enid (2009), she won the 2010 International Emmy Award for Best Actress and was nominated for the British Academy Television Award for Best Actress. Her other television films include Fatal Deception: Mrs. Lee Harvey Oswald (1993), Live from Baghdad (2002), Toast (2010), and Burton & Taylor (2013). From 2019 to 2020, she portrayed Princess Margaret, Countess of Snowdon in seasons three and four of Netflix's The Crown.
A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.
