
Age: 55
male
Josh Lucas (born June 20, 1971) is an American actor. He has starred alongside Jon Voight in Jerry Bruckheimer's Glory Road (2006), Kurt Russell and Richard Dreyfuss in Wolfgang Petersen's Poseidon (2006), Morgan Freeman and Robert Redford in Lasse Hallström's An Unfinished Life (2005), Jamie Bell in David Gordon Green's Undertow (2004), which was also produced by Terrence Malick. Other credits include Ford v Ferrari (2019), The Lincoln Lawyer (2011), Hulk (2003), A Beautiful Mind (2001), Wonderland (2003), The Deep End (2001), American Psycho (2000), Session 9 (2001), and You Can Count on Me (2000). Lucas' theater credits include the recent off-Broadway run of "Spalding Gray: Stories Left to Tell"; Tennessee Williams' "The Glass Menagerie," which appeared on Broadway in 2005; Terrence McNally's "Corpus Christi" at the Manhattan Theater Club; Christopher Shinn's "What Didn't Happen"; and "The Picture of Dorian Gray." Lucas recently completed his second collaboration with documentary filmmaker Ken Burns on "The War" (2007). Lucas' other documentary work includes the upcoming Operation Homecoming: Writing the Wartime Experience (2007), Trumbo (2007), and Resolved (2007). Lucas recently completed his first venture into production with Stolen Lives (2009), in which he plays the single father of a mentally challenged boy. This film is the first project to be produced through Lucas' production company, Two Bridges.

Josh Lucas

Young John Dutton
for Young John Dutton in Yellowstone
Suggested by chickwitahat

Yellowstone follows the Dutton family, led by John Dutton, who controls the largest contiguous ranch in the United States, under constant attack by those it borders - land developers, an Indian reservation, and America's first National Park. It is an intense study of a violent world far from media scrutiny - where land grabs make developers billions, and politicians are bought and sold by the world's largest oil and lumber corporations. Where drinking water poisoned by fracking wells and unsolved murders are not news: they are a consequence of living in the new frontier. It is the best and worst of America seen through the eyes of a family that represents both.