
Age: 40
male
Tom Hughes (born 18 April 1985) is an English actor, best known for his roles as Jonty Millingden in ITV drama Trinity, Chaz Jankel in Sex & Drugs & Rock & Roll, Bruce Pearson in Cemetery Junction, and Nick Slade in BBC legal drama Silk. Hughes was born and brought up in Upton-by-Chester, Cheshire, the younger of two boys. He attended the Liverpool Everyman Youth Theatre group. He was a member of the Cheshire Youth Theatre and the Jigsaw Music Theatre Company. He graduated from the Royal Academy of Dramatic Art (RADA) in 2008 with a Bachelor of Arts in Acting. Hughes is the former guitarist of indie band Quaintways. Hughes began his career in 2009 as Dr Harry Ingrams in the BBC spin-off series Casualty 1909 and Jonty Millingden in the ITV drama Trinity. He made his feature film debut the following year as Chaz Jankel in the Ian Dury biopic Sex & Drugs & Rock & Roll and Bruce Pearson in the comedy-drama Cemetery Junction, the latter of which earned him a BIFA nomination for Most Promising Newcomer. He also appeared in the Young Vic production of David Harrower's Sweet Nothings directed by Luc Bondy. In 2011, Hughes was named one of BAFTA's 42 Brits to Watch. He played pupil barrister Nick Slade in series 1 of the BBC One legal drama Silk, and appeared in the BBC television film Page Eight alongside Ralph Fiennes and Rachel Weisz. Hughes then appeared in the Richard II instalment of the television anthology The Hollow Crown as Aumerle. In 2013, he starred in the BFI/BBC film, based on the award-winning novel, 8 Minutes Idle as the lead role Dan Thomas. He made a guest appearance as Michael Rogers in an episode of Agatha Christie's Marple. In 2014, he had a lead role in BBC Cold War spy thriller The Game. From 2016 to 2019, Hughes starred as Prince Albert opposite Jenna Coleman as the titular character of the ITV period drama Victoria. He starred in the 2019 film Red Joan alongside Judi Dench. In 2019, it was announced Hughes would play the recurring role of Christopher Marlowe in the second series of A Discovery of Witches.

Tom Hughes

Young William Stryker
for Young William Stryker in X-Men: Re-imagined
Suggested by bencasting

My attempt to reorganise X-Men films into a more cohesive timeline. X-Men (2000): Growing fear of mutants. Focus on the X-men’s found-family dynamic across generations. Rogue given more character development. Clash with Magneto & the Brotherhood stopping his increasingly extreme plan. X-Men: Mankind (2003): Wolverine’s past emerges through flashbacks. The cruelty of William Stryker’s Weapon X program forces the X-Men and Magneto into a reluctant alliance, while Jean Grey’s powers are pushed to the limit saving the team. X-Men: Phoenix Rising (2007): Jean, believed dead, returns with the Phoenix Force, amplifying her anger at humans, Charles & Magneto. She causes destruction, struggles morally, and ultimately chooses to take control of the power, manifesting as the Phoenix in the sky and removing herself from the world. Sentinel program quietly advances. X-Men: First Class (2010): Nathaniel Essex as architect pulling strings from the shadows. More time with Erik hunting Nazis. More comic-accurate Emma Frost; Darwin survives; Havok swapped to fix continuity. X-Men: Days of Future Past (2013): Mostly the same but with enough focus and better lines for characters to give them time to shine. X-Men: Bloodlines (2023): Set against the fall of the iron curtain – Mr. Sinister is abducting unregistered mutants across Europe. Setting traps for the x-men, to divide and capture Scott & Jean to harness their DNA. Jean’s powers surge during a showdown beneath Berlin, destroying Sinister’s archives, forcing his retreat. X-Men: Apocalypse (2025): Jeans power surge & Sinister’s failure awakens Apocalypse. Seeing his “pawn” could not control the X-Men or Jean’s cosmic power, Apocalypse corrupts 4 Horsemen to reshape the modern world. Guided by future Charles via the astral plane, Jean learns to control her Phoenix energy. The team overcome Apocalypse, entombing him & preventing his conquest.

