
Akira (Japanese: アキラ) is a 1988 Japanese animated post-apocalyptic cyberpunk action film[3][4] directed by Katsuhiro Otomo, produced by Ryōhei Suzuki and Shunzō Katō, and written by Otomo and Izo Hashimoto, based on Otomo's 1982 manga of the same name. The film had a production budget of ¥700 million ($5.5 million), making it the most expensive anime film at the time (until it was surpassed a year later by Kiki's Delivery Service). Set in a dystopian 2019, Akira tells the story of Shōtarō Kaneda, a leader of a biker gang whose childhood friend, Tetsuo Shima, acquires incredible telekinetic abilities after a motorcycle accident, eventually threatening an entire military complex amid chaos and rebellion in the sprawling futuristic metropolis of Neo-Tokyo. While most of the character designs and settings were adapted from the manga, the plot differs considerably and does not include much of the last half of the manga. The soundtrack, which draws heavily from traditional Indonesian gamelan as well as Japanese noh music, was composed by Shōji Yamashiro and performed by Geinoh Yamashirogumi. Akira premiered in Japan on July 16, 1988 by Toho. It was released the following year in the United States by pioneering animation distributor Streamline Pictures. It garnered an international cult following after various theatrical and VHS releases, eventually earning over $80 million worldwide in home video sales.[5] It is widely regarded by critics as one of the greatest animated and science fiction films ever made, as well as a landmark in Japanese animation.[6][7][8][9][10] It is also a pivotal film in the cyberpunk genre, particularly the Japanese cyberpunk subgenre,[11] as well as adult animation.[12] The film had a significant impact on popular culture worldwide, paving the way for the growth of anime and Japanese popular culture in the Western world as well as influencing numerous works in animation, comics, film, music, television and video games.[13][12][14]

Akira (1988 film)

X-Men: Phoenix Rising (2007) Influences
for X-Men: Phoenix Rising (2007) Influences in X-Men: Re-imagined
Suggested by bencasting

My attempt to reorganise X-Men films into a more cohesive timeline. X-Men (2000): Growing fear of mutants. Focus on the X-men’s found-family dynamic across generations. Rogue given more character development. Clash with Magneto & the Brotherhood stopping his increasingly extreme plan. X-Men: Mankind (2003): Wolverine’s past emerges through flashbacks. The cruelty of William Stryker’s Weapon X program forces the X-Men and Magneto into a reluctant alliance, while Jean Grey’s powers are pushed to the limit saving the team. X-Men: Phoenix Rising (2007): Jean, believed dead, returns with the Phoenix Force, amplifying her anger at humans, Charles & Magneto. She causes destruction, struggles morally, and ultimately chooses to take control of the power, manifesting as the Phoenix in the sky and removing herself from the world. Sentinel program quietly advances. X-Men: First Class (2010): Nathaniel Essex as architect pulling strings from the shadows. More time with Erik hunting Nazis. More comic-accurate Emma Frost; Darwin survives; Havok swapped to fix continuity. X-Men: Days of Future Past (2013): Mostly the same but with enough focus and better lines for characters to give them time to shine. X-Men: Bloodlines (2023): Set against the fall of the iron curtain – Mr. Sinister is abducting unregistered mutants across Europe. Setting traps for the x-men, to divide and capture Scott & Jean to harness their DNA. Jean’s powers surge during a showdown beneath Berlin, destroying Sinister’s archives, forcing his retreat. X-Men: Apocalypse (2025): Jeans power surge & Sinister’s failure awakens Apocalypse. Seeing his “pawn” could not control the X-Men or Jean’s cosmic power, Apocalypse corrupts 4 Horsemen to reshape the modern world. Guided by future Charles via the astral plane, Jean learns to control her Phoenix energy. The team overcome Apocalypse, entombing him & preventing his conquest.





