
Age: 64
male
Alexandre Michel Gérard Desplat (French:[alɛksɑ̃dʁ dɛspla]; born 23 August 1961) is a French film composer and conductor. He has received numerous accolades, including two Academy Awards, three BAFTA Awards, two Golden Globe Awards, and two Grammy Awards. Desplat was made an Officer of the Ordre national du Mérite and a Commander of the Ordre des Arts et des Lettres both in 2016. Desplat has received two Academy Awards for Best Original Score for The Grand Budapest Hotel (2014) and The Shape of Water (2017). He was Oscar-nominated for The Queen (2006), The Curious Case of Benjamin Button (2008), Fantastic Mr. Fox (2009), The King's Speech (2010), Argo (2012), Philomena (2013), The Imitation Game (2014), Isle of Dogs (2018), and Little Women (2019). Desplat has composed scores for a wide range of films, including low-budget independent productions and large-scale blockbusters, such as The Golden Compass (2007), The Twilight Saga: New Moon (2009), Harry Potter and the Deathly Hallows – Part 1 (2010) & Part 2 (2011), Moonrise Kingdom (2012), Zero Dark Thirty (2012), Godzilla (2014), Unbroken (2014), The French Dispatch (2021), Guillermo del Toro's Pinocchio (2022) and Jurassic World Rebirth (2025). He has collaborated with directors such as Wes Anderson, Chris Weitz, Terrence Malick, George Clooney, Roman Polanski, Guillermo del Toro and Gareth Edwards. Description above from the Wikipedia article Alexandre Desplat, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Alexandre Desplat

X-Men: Days of Future Past (2014) Composer
for X-Men: Days of Future Past (2014) Composer in X-Men: Re-imagined
Suggested by bencasting

My attempt to reorganise X-Men films into a more cohesive timeline. X-Men (2000): Growing fear of mutants. Focus on the X-men’s found-family dynamic across generations. Rogue given more character development. Clash with Magneto & the Brotherhood stopping his increasingly extreme plan. X-Men: Mankind (2003): Wolverine’s past emerges through flashbacks. The cruelty of William Stryker’s Weapon X program forces the X-Men and Magneto into a reluctant alliance, while Jean Grey’s powers are pushed to the limit saving the team. X-Men: Phoenix Rising (2007): Jean, believed dead, returns with the Phoenix Force, amplifying her anger at humans, Charles & Magneto. She causes destruction, struggles morally, and ultimately chooses to take control of the power, manifesting as the Phoenix in the sky and removing herself from the world. Sentinel program quietly advances. X-Men: First Class (2010): Nathaniel Essex as architect pulling strings from the shadows. More time with Erik hunting Nazis. More comic-accurate Emma Frost; Darwin survives; Havok swapped to fix continuity. X-Men: Days of Future Past (2013): Mostly the same but with enough focus and better lines for characters to give them time to shine. X-Men: Bloodlines (2023): Set against the fall of the iron curtain – Mr. Sinister is abducting unregistered mutants across Europe. Setting traps for the x-men, to divide and capture Scott & Jean to harness their DNA. Jean’s powers surge during a showdown beneath Berlin, destroying Sinister’s archives, forcing his retreat. X-Men: Apocalypse (2025): Jeans power surge & Sinister’s failure awakens Apocalypse. Seeing his “pawn” could not control the X-Men or Jean’s cosmic power, Apocalypse corrupts 4 Horsemen to reshape the modern world. Guided by future Charles via the astral plane, Jean learns to control her Phoenix energy. The team overcome Apocalypse, entombing him & preventing his conquest.





