
Age: 74
male
John Toll, ASC (born June 15, 1952) is an American cinematographer and television producer. Toll's filmography spans a wide variety of genres, including epic period drama, comedy, science fiction, and contemporary drama. He won the Academy Award for Best Cinematography in both 1994 and 1995 for Legends of the Fall and Braveheart, respectively, and has also won numerous BAFTA, ASC, and Satellite Awards. He has collaborated with such directors as Francis Ford Coppola, Edward Zwick, Terrence Malick, Mel Gibson, Cameron Crowe, the Wachowskis, and Ang Lee. Outside of film, he has shot several commercials, the pilot episode of the Emmy Award-winning drama series Breaking Bad, and has served as chief cinematographer on the Netflix original series Sense8 by the Wachowskis, on which he also got executive producing credit in its second season. Description above from the Wikipedia article John Toll, licensed under CC-BY-SA, full list of contributors on Wikipedia.

John Toll

X-Men (2000) Cinematographer
for X-Men (2000) Cinematographer in X-Men: Re-imagined
Suggested by bencasting

My attempt to reorganise X-Men films into a more cohesive timeline. X-Men (2000): Growing fear of mutants. Focus on the X-men’s found-family dynamic across generations. Rogue given more character development. Clash with Magneto & the Brotherhood stopping his increasingly extreme plan. X-Men: Mankind (2003): Wolverine’s past emerges through flashbacks. The cruelty of William Stryker’s Weapon X program forces the X-Men and Magneto into a reluctant alliance, while Jean Grey’s powers are pushed to the limit saving the team. X-Men: Phoenix Rising (2007): Jean, believed dead, returns with the Phoenix Force, amplifying her anger at humans, Charles & Magneto. She causes destruction, struggles morally, and ultimately chooses to take control of the power, manifesting as the Phoenix in the sky and removing herself from the world. Sentinel program quietly advances. X-Men: First Class (2010): Nathaniel Essex as architect pulling strings from the shadows. More time with Erik hunting Nazis. More comic-accurate Emma Frost; Darwin survives; Havok swapped to fix continuity. X-Men: Days of Future Past (2013): Mostly the same but with enough focus and better lines for characters to give them time to shine. X-Men: Bloodlines (2023): Set against the fall of the iron curtain – Mr. Sinister is abducting unregistered mutants across Europe. Setting traps for the x-men, to divide and capture Scott & Jean to harness their DNA. Jean’s powers surge during a showdown beneath Berlin, destroying Sinister’s archives, forcing his retreat. X-Men: Apocalypse (2025): Jeans power surge & Sinister’s failure awakens Apocalypse. Seeing his “pawn” could not control the X-Men or Jean’s cosmic power, Apocalypse corrupts 4 Horsemen to reshape the modern world. Guided by future Charles via the astral plane, Jean learns to control her Phoenix energy. The team overcome Apocalypse, entombing him & preventing his conquest.

