Age: 52
female
Kathryn Marie Hahn (born July 23, 1973) is an American actress. She began her career on television, starring as a grief counsellor in the NBC crime drama series Crossing Jordan (2001–2007). Hahn gained prominence appearing as a supporting actress in a number of comedy films, including How to Lose a Guy in 10 Days (2003), Anchorman: The Legend of Ron Burgundy (2004), Step Brothers (2008), Our Idiot Brother (2011), We're the Millers and The Secret Life of Walter Mitty (both 2013), and Glass Onion: A Knives Out Mystery (2022). As a lead actress in films, Hahn starred in Joey Soloway's comedy-drama Afternoon Delight (2013), the comedy film Bad Moms (2016) and its sequel A Bad Moms Christmas (2017), and Tamara Jenkins's drama Private Life (2018). She has appeared in various other dramatic films, including Revolutionary Road (2008), This Is Where I Leave You (2014), The Visit (2015), and Captain Fantastic (2016). She voiced Ericka Van Helsing in two films of the Hotel Transylvania franchise (2018–2022) and Doctor Octopus in Spider-Man: Into the Spider-Verse (2018). In television, Hahn had guest roles on the NBC sitcom Parks and Recreation (2012–2015) and the Amazon Prime Video comedy-drama series Transparent (2014–2019). Hahn starred in the HBO miniseries Mrs. Fletcher (2019) and I Know This Much Is True (2020). She portrayed Agatha Harkness in the Disney+ miniseries WandaVision (2021) and its spin-off Agatha All Along (2024). For the former, she was nominated for a Primetime Emmy Award for Outstanding Supporting Actress. For starring in the Hulu series Tiny Beautiful Things (2023), she received a nomination for a Primetime Emmy Award for Outstanding Lead Actress. Description above from the Wikipedia article Kathryn Hahn, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Recently out of a devastating love affair and mourning the loss of her beloved mum, Casey is lost. The novel she has been writing for six years isn’t going anywhere, her debt is soaring, and at thirty-one, with all her friends getting married and having kids, she feels too old for things to be this way. Then she meets Silas. He is kind, handsome, interested. But only a few weeks later, Oscar – older, fascinating, troubled – walks into her life, his two boys in tow. Suddenly Casey finds herself at the point of a love triangle, torn between two very different relationships that promise two very different futures. And she’s still got to write that book . . .
