Age: 37
female
Danielle Riley Keough (/ˈkiːoʊ/ KEE-oh; born May 29, 1989) is an American actress and the eldest grandchild of Elvis Presley. She made her feature film debut in a supporting part in the musical biopic The Runaways (2010), portraying Marie Currie. Keough subsequently starred in the independent thriller The Good Doctor (2011) before being cast in a minor role in Steven Soderbergh's comedy film Magic Mike (2012). She appeared in her first big-budget release in the action feature Mad Max: Fury Road (2015). In 2016, Keough had her breakthrough role as an escort in the first season of the anthology series The Girlfriend Experience, earning a Golden Globe Award nomination for Best Actress. Her performance as a wayward young woman in the drama American Honey (2016) earned her further acclaim, including an Independent Spirit Award nomination for Best Supporting Female. Keough went on to star in the horror film It Comes at Night (2017) and in Soderbergh's heist film Logan Lucky (2017); she then appeared in the horror films The House That Jack Built (2018) and The Lodge (2019). Following a leading role in the comedy-drama Zola (2020), Keough starred in the Amazon Prime Video thriller series The Terminal List (2022) and the drama miniseries Daisy Jones & the Six (2023). The latter earned her nominations for another Golden Globe and a Primetime Emmy Award. Keough is a co-founder of the production company Felix Culpa. She has co-directed the drama War Pony (2022), which won the Caméra d'Or. She became the sole owner of Elvis Presley's estate, Graceland, following her mother, Lisa Marie Presley's death in 2023. Description above from the Wikipedia article Riley Keough, licensed under CC-BY-SA, full list of contributors on Wikipedia.
An astonishing portrait of a city on the brink of a dizzying new era and a story about a young woman who will do anything to infiltrate the rarefied world of New York's fashion elite. New York City, 2001. Editorial Assistant Clodagh “Clo” Harmon wants nothing more than to rise through the ranks at the world’s most prestigious fashion magazine. But there’s just one problem: she doesn’t have the right pedigree. Clo is a ‘workhorse’ in a world of beautiful, wealthy, impossibly well-connected ‘show horses’ and it seems that her fortunes will never change. That is until Clo meets Harry Wood, a reporter with visions of his own media empire and the person who might be Clo’s ally in gaming the system…or is he the only thing standing between Clo and her rightful place at the top? Clo begins to wade across boundaries, taking ever greater and more dangerous risks to become the Important Person she wants to be. But who is Clo under all the borrowed designer clothes and studied manners? And who are we if we share her desires? As wickedly funny as it is darkly unsettling, Workhorse is an astonishing story of envy and ambition, set against the glamour and privilege of media and high society in New York at its height.
