
Age: 63
female
Philippine Leroy-Beaulieu is a French actress and the daughter of French actor Philippe Leroy-Beaulieu. After spending her childhood in Italy, she went to Paris at 16 to study drama against the advice of her parents; her father, actor Philippe Leroy-Beaulieu, especially tried to keep her from pursuing a career that followed in his footsteps but was unsuccessful. After appearing on the stage, she made her screen début in Roger Vadim's 1983 film Surprise Party. In 1985, she played her first major screen role (and earned a nomination for the César Award for Most Promising Actress), playing the distraught mother in Trois hommes et un couffin (Three Men And A Cradle). The success of Coline Serreau's comedy helped her film career and a string of parts in costume films followed such films as Andrzej Wajda's Les Possédés in 1988, Philippe Le Guay's Les Deux Fragonard, and Robert Enrico's and Richard T. Heffron's La Révolution Française(Mademoiselle Leroy-Beaulieu acted out the role of Charlotte Corday in the latter production), whose release in 1989 was timed to coincide with celebrations for the bi-centenary of the 1789 Revolution. She starred in the title role of the French film Natalia, which was screened at the 1988 Cannes Film Festival. In the United States, Leroy-Beaulieu first became known for the role of Fauve Mistral in the 1984 mini-series version of Judith Krantz's novel Mistral's Daughter. Description above from the Wikipedia article Philippine Leroy-Beaulieu, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Philippine Leroy-Beaulieu

Marie Clarice
for Marie Clarice in Workhorse
Suggested by rmsx3090

New York City, 2001. Editorial Assistant Clodagh “Clo” Harmon wants nothing more than to rise through the ranks at the world’s most prestigious fashion magazine. But there’s just one problem: she doesn’t have the right pedigree. Clo is a ‘workhorse’ in a world of beautiful, wealthy, impossibly well-connected ‘show horses’ and it seems that her fortunes will never change. That is until Clo meets Harry Wood, a reporter with visions of his own media empire and the person who might be Clo’s ally in gaming the system…or is he the only thing standing between Clo and her rightful place at the top? Clo begins to wade across boundaries, taking ever greater and more dangerous risks to become the Important Person she wants to be. But who is Clo under all the borrowed designer clothes and studied manners? And who are we if we share her desires? As wickedly funny as it is darkly unsettling, Workhorse is an astonishing story of envy and ambition, set against the glamour and privilege of media and high society in New York at its height.