Age: 80
female
Candice Patricia Bergen (born May 9, 1946) is an American actress and former fashion model. She won five Primetime Emmy Awards and two Golden Globe Awards for her portrayal of the title character on the CBS sitcom Murphy Brown (1988–1998, 2018-2019). She is also known for her role as Shirley Schmidt on the ABC drama Boston Legal (2005–2008). In films, Bergen was nominated for the Academy Award for Best Supporting Actress for Starting Over (1979), and for the BAFTA Award for Best Actress in a Supporting Role for Gandhi (1982). Bergen began her career as a fashion model and appeared on the cover of Vogue before she made her screen debut in the film The Group (1966). She starred in The Sand Pebbles (1966), Soldier Blue (1970), Carnal Knowledge (1971), and The Wind and the Lion (1975). She made her Broadway debut in the 1984 play Hurlyburly and starred in the revivals of The Best Man (2012) and Love Letters (2014). From 2002 to 2004, she appeared in three episodes of the HBO series Sex and the City. Her other film roles include Miss Congeniality (2000), Sweet Home Alabama (2002), The Women (2008), Bride Wars (2009), Book Club (2018) and Let Them All Talk (2020).
New York City, 2001. Editorial Assistant Clodagh “Clo” Harmon wants nothing more than to rise through the ranks at the world’s most prestigious fashion magazine. But there’s just one problem: she doesn’t have the right pedigree. Clo is a ‘workhorse’ in a world of beautiful, wealthy, impossibly well-connected ‘show horses’ and it seems that her fortunes will never change. That is until Clo meets Harry Wood, a reporter with visions of his own media empire and the person who might be Clo’s ally in gaming the system…or is he the only thing standing between Clo and her rightful place at the top? Clo begins to wade across boundaries, taking ever greater and more dangerous risks to become the Important Person she wants to be. But who is Clo under all the borrowed designer clothes and studied manners? And who are we if we share her desires? As wickedly funny as it is darkly unsettling, Workhorse is an astonishing story of envy and ambition, set against the glamour and privilege of media and high society in New York at its height.
