Age: 33
female
Jessica Green, was born on February 11, 1993, in Tasmania, Australia. With her striking blue eyes and a height of 5’9" (1.75 m), she has made a significant impact in the entertainment industry. In her early career, she appeared in minor roles in films such as Peter Pan (Universal Pictures) and Aqua Marine (Fox). However, her breakthrough came in 2013 when she secured the lead role of “KIKI” in the Jonathon M. Shiff production LIGHTNING POINT (also known as Alien Surf Girls). This role required her to surf and ride horses, showcasing her versatility. Jessica continued to make her mark in the industry with film appearances. Notably, she played ‘Rebecca’ in the Australian action-thriller RED BILLABONG (Sparke Films) in 2016. Her talent and dedication also led her to a role in PIRATES OF THE CARIBBEAN: Dead Men Tell No Tales (Disney). In 2017, Jessica portrayed Cleopatra in ROMAN EMPIRE (Netflix) and Lexx in ASH VS EVIL DEAD (Starz), further establishing her presence on the international stage. However, her most iconic role to date is that of ‘TALON’ in THE OUTPOST, a fantasy adventure series that aired on The CW Network and NBCU SYFY channels. Jessica performed her own stunts, including wire work, demonstrating her mixed martial arts, horse riding, and weapon skills.
Jessica Green
Diana Prince
for Diana Prince in Wonder Woman: The Mortal Hour
Suggested by mr95
A rival Amazonian faction — led by Penthesilea, a general exiled from Themyscira three thousand years ago for crimes against mortal civilians — has stolen the Golden Girdle of Gaea: the divine artefact from which Diana's powers partly derive. Without it, Diana retains her centuries of combat training and her enhanced physical conditioning, but her divine strength, speed, near-invulnerability, and the Lasso's compulsion power are gone. She is still extraordinary. She is no longer impossible. Penthesilea has allied with a global security corporation, PROMETHIA, that wants the Girdle's power for military application and has no interest in what it means. Diana, working without backup, without her powers, and without official support from either the mortal world or Themyscira, must dismantle PROMETHIA from the inside and face Penthesilea — who is not simply a villain but the embodiment of an Amazonian argument Diana has been avoiding for three thousand years: was leaving ever the right choice?
