Age: 42
female
Rebecca Louisa Ferguson Sundström (born 19 October 1983) is a Swedish actress. She is bilingual and has worked extensively in Sweden, Great Britain, and mainly in the United States. Ferguson began her television acting career in 1999 with the Swedish soap opera Nya Tider, and she made her motion picture debut in 2004 with the Swedish slasher film Drowning Ghost. She came to international prominence with her portrayal of Elizabeth Woodville in the British BBC drama The White Queen (2013), for which she was nominated for a Golden Globe for Best Actress in a Miniseries or Television Film. Ferguson starred as MI6 agent Ilsa Faust, opposite Tom Cruise, in three of the Mission: Impossible films: Rogue Nation (2015), Fallout (2018), and Dead Reckoning Part One (2023). She played Jenny Lind in the musical film The Greatest Showman (2017), starred in the horror films Life (2017) and Doctor Sleep(2019), and had supporting parts in the comedy-drama Florence Foster Jenkins (2016), the thriller The Girl on the Train (2016), and the science fiction films Dune(2021) and Dune: Part Two (2024). In 2023, she began starring in the Apple TV+science fiction series Silo. Description above from the Wikipedia article Rebecca Ferguson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Rebecca Ferguson
Diana Prince
for Diana Prince in Wonder Woman (Season II)
Suggested by g0thamite
Set in the 1970s, the go-go period where Wonder Woman gave up her powers and costume, learned karate, and joined the disco set. (Since Diana's "powers" will be different, she need not give them up in this version.) Contrast that with the era when the women's liberation movement, the Equal Rights Amendment, Roe vs. Wade and the Me Generation came into cultural focus. The tiniest Boogie Nights or -- if you prefer -- Life on Mars verve would do well here. Maxwell Lord and Cheetah would be the main villains, in all their disco-esque sass. She's a product of genetic manipulation made possible by Amazonian super-science that has crept into the world, but the catch is that she turned herself into a overtly sexualized werecat as a warped form of self-empowerment. And Maxwell Lord is introduced as an up-and-coming young executive at a major corporation known as Innovative Concepts who would indulge in any means necessary to reach the top of the corporation. Plot by: Jay Garmon
