
Age: 42
female
Rebecca Louisa Ferguson Sundström (born 19 October 1983) is a Swedish actress. She is bilingual and has worked extensively in Sweden, Great Britain, and mainly in the United States. Ferguson began her television acting career in 1999 with the Swedish soap opera Nya Tider, and she made her motion picture debut in 2004 with the Swedish slasher film Drowning Ghost. She came to international prominence with her portrayal of Elizabeth Woodville in the British BBC drama The White Queen (2013), for which she was nominated for a Golden Globe for Best Actress in a Miniseries or Television Film. Ferguson starred as MI6 agent Ilsa Faust, opposite Tom Cruise, in three of the Mission: Impossible films: Rogue Nation (2015), Fallout (2018), and Dead Reckoning Part One (2023). She played Jenny Lind in the musical film The Greatest Showman (2017), starred in the horror films Life (2017) and Doctor Sleep(2019), and had supporting parts in the comedy-drama Florence Foster Jenkins (2016), the thriller The Girl on the Train (2016), and the science fiction films Dune(2021) and Dune: Part Two (2024). In 2023, she began starring in the Apple TV+science fiction series Silo. Description above from the Wikipedia article Rebecca Ferguson, licensed under CC-BY-SA, full list of contributors on Wikipedia.

For millennia, the island of Themyscira has remained hidden, a utopian, Spartan society of immortal warriors who chose to turn their backs on a world consumed by its own bloodlust. Now, however, the mystical barrier protecting the island is breached when an experimental ARGUS nuclear submarine, hijacked by a rebel faction, crashes on its shores. Queen Hippolyta orders the execution of the survivors to protect the Amazons' secret, but her daughter, Princess Diana, rebels. Convinced that the submarine's weaponry is a harbinger of an ancient entity awakening to consume the world, Diana helps the sole survivor, the cynical intelligence agent Steve Trevor, escape, exiling herself in the process. Diana discovers a cynical civilization dominated by corporations, espionage networks, and proxy wars. Guided by Steve Trevor, disillusioned after years of covert operations, Diana traces the origin of the submarine hijacking. Her investigation leads them to the heart of Ares Global Security, the world's largest private military company. Its CEO is none other than the God of War himself, who has evolved. Ares no longer needs swords or mud battlefields; he thrives on economic destabilization, cyber warfare, and global terrorism, orchestrating a worldwide conflict that will culminate in the use of nuclear arsenals and metahumans. The climax takes Diana from the luxurious skyscrapers of Geneva to an active war zone in Eastern Europe, where Ares' private armies are poised to unleash hell. To stop a modern-day god, Diana must not only employ her formidable combat skills but also inspire broken soldiers and corrupt individuals to lay down their arms. In the end, after a brutal and visceral battle, Diana understands that she cannot simply cut off the monster's head, for war is inherent in humanity's nature. She decides to remain in this fractured world not as a mere warrior, but as an ambassador of truth and peace, ready to confront the shadows that threaten the present.
