Age: 60
male
Mads Dittmann Mikkelsen (Danish: [ˈmæsˈme̝kl̩sn̩]; born 22 November 1965) is a Danish-American actor. He rose to fame in Denmark as an actor for his roles such as Tonny in the first two films of the Pusher film trilogy (1996, 2004), Detective Sergeant Allan Fischer in the television series Rejseholdet (2000–2004), Niels in Open Hearts (2002), Svend in The Green Butchers (2003), Ivan in Adam's Apples (2005), and Jacob Petersen in After the Wedding (2006). Mikkelsen achieved worldwide recognition for playing the main antagonist, Le Chiffre, in the twenty-first James Bond film, Casino Royale (2006). His other film roles include Igor Stravinsky in Coco Chanel & Igor Stravinsky (2008), Johann Friedrich Struensee in A Royal Affair (2012), his Cannes Film Festival Best Actor Award-winning performance as Lucas in the Danish film The Hunt (2012), Kaecilius in Marvel's Doctor Strange (2016), Galen Erso in Lucasfilm's Rogue One (2016), his BAFTA-nominated role as Martin in Another Round (2020), Gellert Grindelwald in Fantastic Beasts: The Secrets of Dumbledore (2022), Dr. Jürgen Voller in Indiana Jones and the Dial of Destiny (2023), and Captain Ludwig Kahlen in The Promised Land (2023). Outside of film, he is known for his roles as Dr. Hannibal Lecter in the television series Hannibal (2013–2015) and Cliff Unger in Hideo Kojima's video game Death Stranding (2019). A. O. Scott of The New York Times remarked that in the Hollywood scene, Mikkelsen has "become a reliable character actor with an intriguing mug" but stated that on the domestic front "he is something else: a star, an axiom, a face of the resurgent Danish cinema". Description above from the Wikipedia article Mads Mikkelsen, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Mads Mikkelsen
Harry Hoekstra
for Harry Hoekstra in Widow for One Year
Suggested by telefilm34
Ruth Cole is a complex, often self-contradictory character—a “difficult” woman. By no means is she conventionally “nice,” but she will never be forgotten. Ruth’s story is told in three parts, each focusing on a critical time in her life. When we first meet her—on Long Island, in the summer of 1958—Ruth is only four. The second window into Ruth’s life opens on the fall of 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason. A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She’s about to fall in love for the first time. Richly comic, as well as deeply disturbing, A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.
