
Age: 23
female
Jenna Marie Ortega (born September 27, 2002) is an American actress. She began her career as a child and received recognition for her role as a younger version of Jane in The CW comedy-drama series Jane the Virgin (2014–2019). She then won an Imagen Award for her leading role as Harley Diaz in the Disney Channel series Stuck in the Middle (2016–2018). She played Ellie Alves in the thriller series You (2019) and starred in the family film Yes Day (2021), both for Netflix. In the drama film The Fallout, Ortega received praise for her performance as a traumatised high school student (2021). She gained wide recognition for portraying Wednesday Addams in the Netflix horror-comedy series Wednesday (2022–present), for which she received nominations at the Golden Globe, Primetime Emmy, and Screen Actors Guild Awards. She also starred in the slasher films Scream (2022), X (2022), Scream VI (2023), and the fantasy film Beetlejuice Beetlejuice (2024). Media publications have dubbed Ortega "Gen Z's scream queen." She was featured on The Hollywood Reporter's Power 100 list in 2023 and Forbes's 30 Under 30 list in 2024. Ortega has also been noted for her fashion and for supporting various charitable causes. Description above from the Wikipedia article Jenna Ortega, licensed under CC-BY-SA, full list of contributors on Wikipedia.

SCP-5000, titled "Why?", is an anomalous event in which the SCP Foundation inexplicably begins attacking itself, causing widespread destruction and chaos within the organization. The event is chronicled through various documents and logs, as Foundation personnel struggle to understand why they are being forced to destroy their own infrastructure and containment protocols. SCP-5000 explores the mystery behind the Foundation's self-sabotage, with the central question being "Why?"—a profound inquiry into the very nature and purpose of the SCP Foundation itself. The event triggers a series of conflicts, as Foundation personnel and SCP entities are caught in a violent collapse, leading to existential questions about the Foundation’s mission and its relation to the anomalous phenomena it was meant to contain.

