
Age: 76
male
Alan Anthony Silvestri (born March 26, 1950) is an American composer, conductor, orchestrator and music producer of film scores. He has received two Grammy Awards, two Primetime Emmy Awards, and nominations for two Academy Awards and two Golden Globe Awards. He has been associated with director Robert Zemeckis since 1984, composing music for nearly all of his feature films, including the Back to the Future film series (1985–1990), Who Framed Roger Rabbit (1988), Death Becomes Her (1992), Forrest Gump (1994), Contact (1997), What Lies Beneath (2000), Cast Away (2000), The Polar Express (2004), Beowulf (2007), Flight (2012) and The Walk (2015). Silvestri also scored many other popular movies, including Predator (1987), The Abyss (1989), Father of the Bride (1991), The Bodyguard (1992), Eraser (1996), The Parent Trap (1998), Stuart Little (1999), The Mummy Returns (2001), Lilo & Stitch (2002), Van Helsing (2004), Night at the Museum trilogy, G.I. Joe: The Rise of Cobra (2009), The A-Team (2010), Ready Player One (2018), and several Marvel Cinematic Universe films, including the Avengers films. Description above from the Wikipedia article Alan Silvestri, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Alan Silvestri

Composer
for Composer in Who Framed Roger Rabbit 2: The Revenge of Doom
Suggested by user_98816

Within the timeframe of the 1940s to present day, The toons of the world of Roger Rabbit have faced difficulties staying relevant as for one reason or another, many of the classic cartoons from the first have retired aside from the select few that include Roger, Jessica, Baby Herman and Benny the Cab. Despite having good work as two bit parts aside from miscellaneous work as entertainment at birthday parties and bar mitzvahs. A flashback before the main events of the film reveal the funeral of Eddie Valiant and many of the toons alongside his wife. Dolores and his friend, Lt Santino and some of the toons helped from the days of Valiant and Valiant. Everyone mourns the loss of Eddie. Within a darks and desolate place in Los Angeles, relatives of the Toon Patrol resurrect or make a new version of Doom that plans to destroy the toons by remaking and redoing them with subpar but profitable remakes that will lead to them falling out of favor with the general public and in the process allows him to take his revenge upon Roger and all of the toons for killing him and ruining his plans for the last time. Stay Tooned