
Age: 32
female
Hannah Dakota Fanning (born February 23, 1994) is an American actress. She rose to prominence at the age of seven for her performance as Lucy Dawson in the drama film I Am Sam (2001), for which she received a Screen Actors Guild Award nomination at the age of eight, making her the youngest nominee in SAG history. Fanning played major roles as a child actress in the films Uptown Girls (2003), The Cat in the Hat (2003), Man on Fire (2004), War of the Worlds (2005), Dreamer (2005), and Charlotte's Web (2006), and the eponymous character in Coraline (2009). Fanning followed with more mature roles, playing Lewellen in Hounddog (2007), Lily in The Secret Life of Bees (2008), Cherie Currie in The Runaways (2010) and Jane in The Twilight Saga (2009–2012). Throughout the 2010s, she continued appearing in independent productions such as the dramas Now Is Good (2012) and Night Moves (2013), the comedy-drama Very Good Girls (2013), and the biographical film Effie Gray (2014). In 2018, she appeared in the heist comedy Ocean's 8 and had a starring role in the period drama series The Alienist. She has since portrayed Manson girl Squeaky Fromme in the Quentin Tarantino film Once Upon a Time in Hollywood (2019) and First Daughter Susan Ford in the Showtime biographical drama series The First Lady (2022).

Dakota Fanning

Celine
for Celine in When the Reckoning Comes
Suggested by alexandrawalker

More than a decade ago, Mira fled her small, segregated hometown in the south to forget. With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder. But now Mira is back in Kipsen to attend Celine’s wedding at the plantation, which has been transformed into a lush vacation resort. Mira hopes to reconnect with her friends, and especially, Jesse, to finally tell him the truth about her feelings and the events of that devastating long-ago day. But for all its fancy renovations, the Woodsman remains a monument to its oppressive racist history. The bar serves antebellum drinks, entertainment includes horrifying reenactments, and the service staff is nearly all black. Yet the darkest elements of the plantation’s past have been carefully erased—rumors that slaves were tortured mercilessly and that ghosts roam the lands, seeking vengeance on the descendants of those who tormented them, which includes most of the wedding guests. As the weekend unfolds, Mira, Jesse, and Celine are forced to acknowledge their history together, and to save themselves from what is to come.