
Age: 45
female
Carrie Alexandra Coon (born January 24, 1981) is an American actress. Known for her portrayals of complex characters on stage and screen, she has received a Critics' Choice Television Award, as well as nominations for three Primetime Emmy Awards and a Tony Award. On television, her breakout role was as Nora Durst in the drama series The Leftovers (2014–2017). Subsequently, she received her first nomination for Primetime Emmy Awards for Outstanding Lead Actress in a Limited Series or Movie for her role as Gloria Burgle in the third season of the black comedy crime anthology series Fargo (2017), her second for Outstanding Lead Actress in a Drama Series for playing Bertha Russell in the period drama series The Gilded Age (2022–present) and her third for Outstanding Supporting Actress in a Drama Series for her role as Laurie Duffy in the third season of the satirical dramedy anthology series The White Lotus (2025). She made her film debut in Gone Girl (2014), with further roles in films such as The Post (2017), Widows (2018), The Nest (2020), Boston Strangler (2023), and His Three Daughters (2024). She has also portrayed characters in blockbuster films such as Proxima Midnight in Avengers: Infinity War(2018) and Callie Spengler in Ghostbusters: Afterlife (2021) and its sequel, Ghostbusters: Frozen Empire (2024). On stage, Coon made her Broadway debut as the naive wife Honey in the revival of Who's Afraid of Virginia Woolf? (2012), for which she was nominated for the Tony Award for Best Featured Actress in a Play. Description above from the Wikipedia article Carrie Coon, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence existence, the books of nineteenth-century philosophy that her father gives her to read in lieu of going to school. Her father is elusive about their pasts, giving Jane little beyond the facts that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Thoreau-like utopia. As Jane becomes a teenager she starts pushing against the boundaries of her restricted world. She begs to accompany her father on his occasional trips away from the cabin. But when Jane realizes that her devotion to her father has made her an accomplice to a horrific crime, she flees Montana to the only place she knows to look for answers about her mysterious past, and her mother's San Francisco. It is a city in the midst of a seismic change, where her quest to understand herself will force her to reckon with both the possibilities and the perils of the fledgling Internet, and where she will come to question everything she values.






