
Age: 33
male
William Jack Poulter (born 28 January 1993) is an English actor. He first gained recognition in School of Comedy (2009) and then for his role as Eustace Scrubb in the adventure film The Chronicles of Narnia: The Voyage of the Dawn Treader (2010) and his starring role in the comedy film We're the Millers (2013). He won the BAFTA Rising Star Award in 2014. Poulter starred in the first and third films of the dystopian science fiction trilogy The Maze Runner (2014–2018), the period film The Revenant (2015), the drama film Detroit (2017), the interactive film Black Mirror: Bandersnatch (2018), and the horror film Midsommar (2019). In 2021, he was featured in the Hulu miniseries Dopesick, for which he received a Primetime Emmy Award nomination for Outstanding Supporting Actor. In 2023, he joined the Marvel Cinematic Universe as Adam Warlock in Guardians of the Galaxy Vol. 3. He had a recurring role in FX's series The Bear, which earned him another Emmy Award nomination. Description above from the Wikipedia article Will Poulter, licensed under CC-BY-SA, full list of contributors on Wikipedia.

I am a Weyward, and wild inside. 2019: Under cover of darkness, Kate flees London for ramshackle Weyward Cottage, inherited from a great aunt she barely remembers. With its tumbling ivy and overgrown garden, the cottage is worlds away from the abusive partner who tormented Kate. But she begins to suspect that her great aunt had a secret. One that lurks in the bones of the cottage, hidden ever since the witch-hunts of the 17th century. 1619: Altha is awaiting trial for the murder of a local farmer who was stampeded to death by his herd. As a girl, Altha’s mother taught her their magic, a kind not rooted in spell casting but in a deep knowledge of the natural world. But unusual women have always been deemed dangerous, and as the evidence for witchcraft is set out against Altha, she knows it will take all of her powers to maintain her freedom. 1942: As World War II rages, Violet is trapped in her family's grand, crumbling estate. Straitjacketed by societal convention, she longs for the robust education her brother receives––and for her mother, long deceased, who was rumored to have gone mad before her death. The only traces Violet has of her are a locket bearing the initial W and the word weyward scratched into the baseboard of her bedroom. Weaving together the stories of three extraordinary women across five centuries, Emilia Hart's Weyward is an enthralling novel of female resilience and the transformative power of the natural world.
