Age: 73
male
Daniel Robert Elfman (born May 29, 1953) is an American film composer, singer, songwriter, and musician. He came to prominence as the lead vocalist and primary songwriter for the new wave band Oingo Boingo in the early 1980s. Since scoring his first studio film in 1985, Elfman has garnered international recognition for composing over 100 feature film scores, as well as compositions for television, stage productions, and the concert hall. Elfman has frequently worked with directors Tim Burton, Sam Raimi, and Gus Van Sant, contributing music to nearly 20 Burton projects, including Pee-Wee's Big Adventure, Beetlejuice, Batman, Edward Scissorhands, Batman Returns, Mars Attacks!, Sleepy Hollow, Big Fish, and Alice in Wonderland, as well as scoring Raimi's Darkman, A Simple Plan, Spider-Man, Spider-Man 2, Oz the Great and Powerful, and Doctor Strange in the Multiverse of Madness, and Van Sant's Academy Award-winning films Good Will Hunting and Milk. He wrote music for all of the Men in Black and Fifty Shades of Grey franchise films, the songs and score for Henry Selick's animated musical The Nightmare Before Christmas, and the themes for the popular television series Desperate Housewives and The Simpsons. Among his honours are four Oscar nominations, three Emmy Awards, a Grammy, seven Saturn Awards for Best Music, the 2002 Richard Kirk Award, the 2015 Disney Legend Award, the Max Steiner Film Music Achievement Award in 2017, and the Society of Composers & Lyricists Lifetime Achievement Award in 2022. Description above from the Wikipedia article Danny Elfman, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The Man in the Tan Jacket is back in Night Vale and he has been leaving strange pieces of paper with people, all of which say "King City". While Night Vale is used to the strange and bizarre, the Man in the Tan Jacket's arrival puts the town at odds. Jackie Fierro, the owner of the town pawn shop, is determined to figure out the mystery behind both the man and the paper. Meanwhile, Diane Crayton has her own issues: her son has been changing and while this is average for most teenage boys, her son is literally a shape shifter and looks different each time she sees him. When she begins to see her son's father around town and Josh begins to show new interest in the man, Diane knows that this cannot end well.
