Age: 45
female
Carrie Alexandra Coon (born January 24, 1981) is an American actress. Known for her portrayals of complex characters on stage and screen, she has received a Critics' Choice Television Award, as well as nominations for three Primetime Emmy Awards and a Tony Award. On television, her breakout role was as Nora Durst in the drama series The Leftovers (2014–2017). Subsequently, she received her first nomination for Primetime Emmy Awards for Outstanding Lead Actress in a Limited Series or Movie for her role as Gloria Burgle in the third season of the black comedy crime anthology series Fargo (2017), her second for Outstanding Lead Actress in a Drama Series for playing Bertha Russell in the period drama series The Gilded Age (2022–present) and her third for Outstanding Supporting Actress in a Drama Series for her role as Laurie Duffy in the third season of the satirical dramedy anthology series The White Lotus (2025). She made her film debut in Gone Girl (2014), with further roles in films such as The Post (2017), Widows (2018), The Nest (2020), Boston Strangler (2023), and His Three Daughters (2024). She has also portrayed characters in blockbuster films such as Proxima Midnight in Avengers: Infinity War(2018) and Callie Spengler in Ghostbusters: Afterlife (2021) and its sequel, Ghostbusters: Frozen Empire (2024). On stage, Coon made her Broadway debut as the naive wife Honey in the revival of Who's Afraid of Virginia Woolf? (2012), for which she was nominated for the Tony Award for Best Featured Actress in a Play. Description above from the Wikipedia article Carrie Coon, licensed under CC-BY-SA, full list of contributors on Wikipedia.
As a young, queer couple who flip houses, Charlie and Eve can’t believe the killer deal they’ve just gotten on an old house in a picturesque neighborhood. As they’re working in the house one day, there’s a knock on the door. A man stands there with his family, claiming to have lived there years before and asking if it would be alright if he showed his kids around. People pleaser to a fault, Eve lets them in. As soon as the strangers enter their home, uncanny and inexplicable things start happening, including the family’s youngest child going missing and a ghostly presence materializing in the basement. Even more weird, the family can’t seem to take the hint that their visit should be over. And when Charlie suddenly vanishes, Eve slowly loses her grip on reality. Something is terribly wrong with the house and with the visiting family—or is Eve just imagining things?
