Age: 56
male
Aleksei Yevgenyevich Kravchenko (Russian: Алексе́й Евге́ньевич Кра́вченко; born October 10, 1969) is a Soviet and Russian actor known for his role in the 1985 film Come and See as a young boy in the resistance army. Aleksei Kravchenko was born in Podolsk near Moscow, He was 14 when filming started, In 1985 he made his debut in the film E. Klimov "Come and See". After graduating from vocational school he served in the Navy. He applied to the Boris Shchukin Theatre Institute in 1991 and graduated in 1995 (course Alla Kazanskaya). He did not act in anything for more than a decade, but since 1998 has appeared in at least one film or TV show almost every year. Honored Artist of Russia (2007). In 2007 he was accepted into the troupe of the Moscow Art Theatre. "Guarana" group founder and leader. The music in "Guarana" performance was played in the series "Russian special forces". He is also the founder and leader of the Guarana group.
Inside a neglected asylum on the edge of a forgotten town, Ward No. 6 holds five men whose lives have been reduced to a series of routines, outbursts, and distant stares. The room is small, damp, and worn down—yet it becomes the center of a quiet, unsettling story about the thin line between sanity and despair. Among its residents are a silent giant who reacts to nothing, an old man who sings to himself as he darts between windows, and a peasant so unresponsive that even violence fails to move him. But it’s Ivan Dmitrich Gromov, a former court clerk haunted by relentless paranoia, who draws the attention of the asylum’s doctor. Dr. Andrey Yefimich, a reclusive physician lost in his books and abstract philosophies, visits Ward No. 6 out of duty—until his conversations with Ivan become the only moments he truly feels understood. Their exchanges shift from formal checkups to long, restless discussions about fear, suffering, and the meaning of human existence. As the bond deepens, the boundaries between doctor and patient blur. Andrey, who once believed suffering could be reasoned away, finds himself confronting questions he had always avoided. Ivan, a man swallowed by terror and past trauma, challenges every certainty the doctor has relied on. Around them, the asylum’s staff grows wary. When a new physician observes the unusual closeness between the two men, suspicion spreads through the institution. What begins as philosophical dialogue slowly becomes a test of perception—of who defines madness, and what happens when the one who observes begins to resemble the one observed. Ward No. 6 unfolds as an intense, atmospheric drama about isolation, compassion, and the fragile relationship between the mind and the world around it—capturing the moment when curiosity turns into involvement, and involvement becomes something far more dangerous.
