
Age: 54
male
Jean Edmond Dujardin (born 19 June 1972) is a French actor and comedian. He began his career as a stand-up comedian in Paris before guest starring in comedic television programmes and films. He first came to prominence with the cult TV series Un gars, une fille, in which he starred alongside his partner Alexandra Lamy, before gaining success in film with movies such as Brice de Nice, Michel Hazanavicius's OSS 117: Cairo, Nest of Spies and its sequel OSS 117: Lost in Rio, as well as 99 Francs. Dujardin garnered international fame and widespread acclaim with his performance of George Valentin in the 2011 award-winning silent movie The Artist. The role won him numerous awards, including the Academy Award for Best Actor (the first for a French actor), the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy, the BAFTA Award for Best Actor in a Leading Role, the Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Leading Role and the Cannes Film Festival Best Actor. He later appeared in Martin Scorsese's 2013 black comedy The Wolf of Wall Street and George Clooney's 2014 historical drama, The Monuments Men. Description above from the Wikipedia article Jean Dujardin, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Jean Dujardin

Pierre Salomon
for Pierre Salomon in Waiting For Adolphe
Suggested by sepanta_kazemi

A cozy dinner among lifelong friends is thrown into chaos when Vincent Leprince, charming, confident, and soon to be a father, casually reveals the name he plans to give his unborn son: Adolphe. What starts as a joke—or so everyone hopes—hits a nerve instantly. Pierre Salomon, Élisabeth’s husband and a proud Marxist who despises everything tied to fascism, erupts in disbelief. Élisabeth tries to mediate, but Vincent enjoys provoking Pierre just a little too much. Meanwhile, Anna Delambre, Vincent’s pregnant wife, watches the storm with a mix of confusion and amusement. And their childhood friend Claude Barret, always the quiet observer, suddenly finds himself pulled into the argument. Within minutes, the warm family gathering spirals into a sharp, hilarious, and bitter clash. Political ideologies collide, personal grievances resurface, and long-ignored tensions between siblings, spouses, and friends bubble up fast. As the night unravels, the name “Adolphe” becomes more than a name—it becomes the match that sets off a chain of confessions, accusations, and revelations that these five people never expected to face at a simple dinner at home. By the end, this seemingly trivial conversation forces everyone to confront who they are, what they believe, and how fragile even the closest relationships can be.