Age: 43
male
Matthew Robert Smith (born 28 October 1982) is an English actor. He is known for playing the Eleventh Doctor in the BBC science fiction television series Doctor Who (2010–2013), Prince Philip in Netflix's historical series The Crown (2016–2017)—for which he received a Primetime Emmy Award nomination—and Daemon Targaryen in HBO's fantasy drama series House of the Dragon(2022–present). Smith initially aspired to be a professional footballer, but spondylolysis forced him out of the sport. After joining the National Youth Theatre and studying drama and creative writing at the University of East Anglia, he began his acting career in 2003, performing in plays such as Murder in the Cathedral, Fresh Kills, The History Boys, and On the Shore of the Wide World in London theatres. Extending his repertoire into West End theatre, he has since performed in the stage adaptation of Swimming with Sharks with Christian Slater, followed a year later by a critically acclaimed performance in That Face. Smith's first television role was in 2006 as Jim Taylor in the BBC adaptations of Philip Pullman's The Ruby in the Smoke and The Shadow in the North. His first significant television role came as Danny in the 2007 BBC series Party Animals. In film, he has played a dual role in the science fiction film Womb (2010), the physical forms of Skynet in the cyberpunk action film Terminator Genisys (2015), a 1960s pimp in the psychological horror film Last Night in Soho (2021) and Milo Morbius in the superhero film Morbius (2022). Description above from the Wikipedia article Matt Smith, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Matt Smith
Abraxas Malfoy
for Abraxas Malfoy in Voldemort: The Heir (Wizarding World Spinoff)
Suggested by kaueoliveira
"Voldemort: The Heir" is a Gothic character study that traces the transformation of Tom Marvolo Riddle from a charming, brilliant Head Boy into a monster. The story picks up in 1945, immediately after graduation. Riddle, obsessed with immortality and his own heritage, shockingly turns down prestigious Ministry jobs to work as a lowly clerk at Borgin and Burkes in Knockturn Alley. The film explores his psychological descent. It is not an action movie, but a thriller about manipulation. We see Riddle using his beauty and charm to seduce secrets out of the wealthy Hepzibah Smith to acquire the founders' artifacts (Hufflepuff’s Cup, Slytherin’s Locket). The narrative then shifts to his ten-year disappearance into the forests of Albania and the dark corners of Europe. It visualizes the horrific, forbidden rituals used to create the Horcruxes, showing the physical toll they take—his eyes bleeding red, his skin paling, his humanity stripping away piece by piece. It culminates in his return to Hogwarts to ask Dumbledore for the Defense Against the Dark Arts job, no longer Tom Riddle, but fully Lord Voldemort.
